Bob Marley And The Wailers/The Speakeasy Club
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Bob Marley And The Wailers/The Speakeasy Club

Details
Bob Marley And The Wailers/The Speakeasy Club
A performance contract for Bob Marley & The Wailers signed by their first tour manager Benjamin Foot, the agreement made on the 26th March 1973 on an Island Artists... printed form completed with mimeographed typescript details agreeing for the artists to appear at The Speakeasy, Margaret Street, London W1 for four evenings May 15th, 1973 - May 18th, 1973 at a salary of £250, signed at the foot in blue ballpoint pen Benjamin Foot p.p. Wailers c/o Island Artists 8-10 Basing St./London W.11, additionally signed on behalf of The Speakeasy in black ballpoint pen by Laurie O'Leary; accompanied by a Bob Marley Speakeasy Guests list, the typescript list of names includeing Paul Rodgers, Muff Winwood, John Peel, Charles Shaar Murray and Johnnie Walker; a typescript letter, signed from Robb Winn of Island Records to Laurie O'Leary, 22nd May, 1973 on Island Artists Ltd. headed stationery, thanking him for all your help in the promotions of the Wailers last week... 1p.; a commemorative magazine celebrating 25 years of Island Records, 1962-1987; and a quantity of material associated with The Speakeasy club, circa 1970s-1980s including programmes, Christmas cards, receipts, promotional postcards for various glam rock, pop and soul artists; and a quantity of record company publicity photographs for various diverse artists including one signed by Graham Parker, majority -- 10x8in. (25.4x20.3cm.) (a lot)
Literature
SALEWICZ, Chris Bob Marley: Songs of Freedom, 1995 on www.bobmarley.com
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The Wailers first British tour was planned by Island Records following the success of their first album Catch A Fire released in December, 1972. Almost half of the 31 dates set up on the Wailers' British tour were in Jamaican reggae clubs, contrasting strongly with their London dates where they were booked into the fashionable Speakeasy club whose clientelle largely came from the music industry. According to Chris Salewicz ...Such was the buzz created by 'Catch A Fire' that this set of London shows was a compete sell-out. More than that, the first night at The Speakeasy turned into the hippest cultural event that London had experienced that year..

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