Pierre-Auguste Renoir (1841-1919)
Property from the Maspro Art Museum, Japan
Pierre-Auguste Renoir (1841-1919)

Portrait de Coco

Details
Pierre-Auguste Renoir (1841-1919)
Portrait de Coco
stamped with signature 'Renoir' (Lugt 2137b; lower right)
oil on canvas
16¼ x 13 in. (41 x 33 cm.)
Painted circa 1903-1904
Provenance
Estate of the artist.
Paul Rosenberg, Paris.
Honolulu Academy of Arts, Hawaii.
Mrs. Albert J. Dreitzer (by 1958).
M. Knoedler & Co., Inc., New York.
Anon. sale, Christie's, New York, 15 May 1979, lot 25.
Acquired at the above sale by the present owner.
Literature
Bernheim-Jeune, ed., L'Atelier de Renoir, Paris, 1931, p. 236, no. 275 (illustrated, pl. 85; titled Claude Renoir en rose).
L. Eglinton, "Honolulu Reports on Aim and Work of Art Academy," Art News, 16 February 1935, p. 4.
Exhibited
Hawaii, Honolulu Academy of Arts, Four Centuries of European Painting, December 1949-January 1950.
Los Angeles County Museum and San Francisco Museum of Art, Pierre-Auguste Renoir, July-October 1955, no. 63.
New York, Charles E. Slatkin Galleries, Renoir Degas, November-December 1958, no. 65 (illustrated, pl. XLIII).
Sale room notice
The Wildenstein Institute will include this painting in the forthcoming catalogue raisonné of Pierre-Auguste Renoir established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard, and Wildenstein.
We are grateful to Guy-Patrice and Michel Dauberville for confirming that this picture is included in their Bernheim-Jeune Archives as an authentic work.

Lot Essay

Claude Renoir was born in Essoyes on 4 August 1901. Renoir was then sixty years old and becoming a father at the autumn of his career brought him great joy and inspiration. He looked upon his infant son's health and growth as an affirmation of youth and life, for Renoir was now suffering from the ailments of old age.

The family lovingly nicknamed their youngest son Cloclo, which later became Coco. Almost immediately, he became Renoir's favorite model, replacing his elder brother Jean, who got his first haircut the year of Claude's birth. While long curls were in fashion for young boys in the late 1800s, Renoir was inspired to paint portraits of his children prior to their first haircut, in an effort to capture their childhood innocence. Once their tresses were cut, Renoir rarely used them as models. As Jean Renoir recalled, "It was while we were living in the rue Caulaincourt that my father had me pose for him most often. A few years later my brother Claude, who was seven years younger than I, was to take my place in the studio. Coco certainly proved one of the most prolific inspirations my father ever had". (J. Renoir, Renoir, My Father, New York, 1958, p. 364)

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