拍品專文
"The Walking Woman is still another variation on the standing figure conception. In this celebrated work, the clothed figure strides forward in her ankle-length dress, making a membrance of bronze delineate the space between the two legs. The skirt swirls behind and all of the bright brassy metal is polished to a high brilliance...The finish may well owe something to Brancusi; the use of brilliantly polished surfaces was not normal to traditional sculpture and many artists preferred a patine of age. [In the present work] Lachaise was proclaiming his modernity in this finish...This nineteen-inch Walking Woman is in the tradition of Lachaise's earth mothers, but he has simplified her appearance by eliminating details and marks of handling, finishing the work with a reflective polish which mirrors the environment and complicates the reading of form." (G. Nordland, Gaston Lachaise: The Man and His Work, New York, 1974, pp. 71, 74)