School of Leiden, circa 1635
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School of Leiden, circa 1635

The Ascension, with the donor family Van Boschuysen kneeling in a renaissance architectural setting

細節
School of Leiden, circa 1635
The Ascension, with the donor family Van Boschuysen kneeling in a renaissance architectural setting
with indistinct date 'A° 159.(?)' (strengthened, lower centre) and inscribed with the donors' coats-of-arms (upper left and upper right)
oil on panel
106.9 x 104.5 cm.
with a label identifying the donors (on reverse)
來源
(Possibly) The Pieterskerk, Leiden.
Count Th. de Renesse, Governor of Limburg, thence by descent to Countess N. de Renesse, Kasteel Schoonbeek, Belgium.
出版
E. Pelinck, 'Drie Hollandse memorietafels uit de 16e eeuw en hun stichters (Boshuysen, Berendrecht en Booth)', in Jaarboek van het Centraal Bureau voor Genealogie, The Hague, 1959, XIII, p. 100a, illustrated.
Dr F.J.W. van Kan, 'Het nageslacht van Willem Luutgardenz., schepen van Leiden', in De Nederlandsche Leeuw, CX, no. 1-2, January-February 1993, illustrated.
T. van Bueren and W.C.M. Wüstefeld, Leven na de dood: gedenken in de late Middeleeuwen, Turnhout, 1999, p. 101, fig. 90.
展覽
Mechelen, Margareta van Oostenrijk en haar hof, 1958, p. 13, no. 104.
注意事項
Christie's charge a premium to the buyer on the final bid price of each lot sold at the following rates: 23.8% of the final bid price of each lot sold up to and including €150,000 and 14.28% of any amount in excess of €150,000. Buyers' premium is calculated on the basis of each lot individually.

拍品專文

The present memorietafel depicts the knight Willem van Boschuysen, burgomaster of Leiden and bailiff of Amstelland, Waterland, Zeevang and Woerden, together with his second wife, Elisabeth Coppier van Calslagen, and their children. Willem van Boschuysen is portrayed on the left as a crusader, holding a palm; behind him are his sons Willem, from his first marriage, Gommer and Jacob. Their daughters Maria Aagte, Cornelia and Margriet, are kneeling behind Elisabeth. The three small children in the middle are probably their deceased son and daughters.

The date of the painting, which appears to read 1596, presents several problems: Willem van Boschuysen married his wife in 1468, and they died in 1505 and 1518 respectively. However, their deaths cannot have been the motive for this memorietafel, since the style of the architectural setting suggests a date far later than 1518. According to Pelinck the costumes can be dated to circa 1518, although he believed the sitters' likenesses to have been taken from an older example and dated the picture to circa 1540. He suggested that the earlier work might have dated from 1505, and that the date might therefore retrospectively read 1505 rather than 1596.

The picture was probably painted for the Pieterskerk in Leiden, where Willem was burgomaster. That hypothesis is strengthened by an entry in Arnoldus Buchelius' Inscriptions monumentaque in templis et monasteriis Belgicis inventa (first half 17th Century) in which he drew the joined coat-of-arms of the Van Boschuysen and Coppier van Calslagen families from a stained glass window in the Pieterskerk; above that coat-of-arms he also drew kneeling figures that resemble the donors in the present picture.