A PAIR OF LOUIS XV GREY AND BLUE-PAINTED SIDE CHAIRS
A PAIR OF LOUIS XV GREY AND BLUE-PAINTED SIDE CHAIRS

STAMPED 'NQ FOLIOT', MID-18TH CENTURY

Details
A PAIR OF LOUIS XV GREY AND BLUE-PAINTED SIDE CHAIRS
STAMPED 'NQ FOLIOT', MID-18TH CENTURY
Each with chanelled back with removable padded back and drop-in seat covered in blue and white-striped silk, the top and seat-rail centered by a flowerhead, on cabriole legs headed by flowerheads and terminating in scroll feet, one stamped once, the other twice to the inside of back-rail, one marked 'A' the other 'B' to same area in black pen, replacements to seat-rails of one (2)
Provenance
with Michael Taylor, San Francisco.
Sale room notice
PLEASE NOTE THE DESCRIPTION FOR THIS LOT SHOULD READ:
A PAIR OF LOUIS XV GREY AND BLUE-PAINTED SIDE CHAIRS

Lot Essay

Nicolas Quinibert Foliot, maître in 1729.

Nicolas Quinibert Foliot came from a celebrated family of menuisiers, and like his father Nicolas before him, was a fournisseur attitré du Garde-Meuble Royal. He was one of the most important menuisiers of the Louis XV period, supplying extensive amounts of seat furniture to the Royal Court, including a dais for the throne of Louis XV at Versailles, a complete mobilier for the Chambre du Roi, and important pieces for the Comtesse du Barry and the Comtesse de Provence.

He is particularly associated with the mature Louis XV style of the 1750s termed 'rocaille symmetrisé' by Bill Pallot in his seminal work on French chairs L'Art du Siège au XVIIIe Siècle en France (Paris, 1987). Foliot is linked to two of the most celebrated commissions of this period, the superb seat furniture supplied to Madame Louise-Elisabeth for her use in the ducal palace of Colorno, Parma, and the nascent neo-classicism of the famous tapestry suite delivered to Baron Bernstorff in Copenhagen in 1754 (Pallot, op. cit., pp. 142 - 149 and 168 - 169).

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