A REGENCY BRONZE AND BRASS-MOUNTED MAHOGANY SERVING-TABLE
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF A GENTLEMAN (LOTS 240-241)
A REGENCY BRONZE AND BRASS-MOUNTED MAHOGANY SERVING-TABLE

IN THE MANNER OF THOMAS HOPE, EARLY 19TH CENTURY

Details
A REGENCY BRONZE AND BRASS-MOUNTED MAHOGANY SERVING-TABLE
IN THE MANNER OF THOMAS HOPE, EARLY 19TH CENTURY
The rectangular top with stepped gallery of crossed arrows and thyrsus wands flanked by lyres, the frieze with two associated Roman profile medallions and a central mask flanked by foliage, on seated winged lion supports and a concave-fronted platform, the central mount probably original
59½ in. (151 cm.) high, including gallery; 90 in. (228.5 cm.) wide; 36 in. (91.5 cm.) deep
Provenance
Probably supplied to Richard Ellison of Sudbrooke Holme, Lincoln and by descent in the Ellison family of Boultham Hall, Lincoln to
Charlotte Ellison, wife of Michael Stocks and by descent.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The palm-wreathed and plinth-supported sideboard-table is designed in the early 19th century 'antique' fashion with caryatic pilasters comprising chimerical griffin. These eagle-winged lions were imagined by the poets as sacred to Apollo, the sun and hunter deity and leader of the Muses of Artistic inspiration. Apollo's palm-flowered lyres provide the bronze rail's pilasters and are accompanied by the hunter's bow united with a festive trophy of Apollo's arrows and the vine-wreathed thyrsi wands of the wine and harvest deity Bacchus. A bacchantae head is incorporated in the table-frieze's bronze bas-relief and palm-flowered tablet, and this is accompanied by medallion heads of Venus and Mars, evoking the triumph of Cupid and of lyric poetry.
Its robust architecture reflects the antique style promoted in the furnishings of Carlton House by George, Prince of Wales, later George IV. In the mid-1790s, the architect Charles Heathcote Tatham (d.1842) visited Rome to gain inspiration for the Palace's embellishment, and brought back a marble antiquity comprised of a griffin-carved 'sarcophagus' trestle, which he first sketched in 1796. In 1816 this was acquired by the architect Sir John Soane and illustrated in a watercolour made of his London study the following year (see C. H. Tatham, Etchings representing Fragments of Grecian and Roman architectural ornaments, 1806; P. Thornton and H. Dorey, Sir John Soane's Museum, London, 1992, fig. 16; and C. Proudfoot and D.Watkin, 'The Furniture of C.H. Tatham', Country Life, 8 June 1972, pp. 428, fig. 1).
The same pattern of bronze medallions featured in a frame designed by the connoisseur Thomas Hope (d.1831) for an enamel tablet depicting Venus and Cupid. The Hope medallions are likely to have been executed by the Piccadilly bronze founder Alexis Decaix (T. Hope, Household Furniture and Interior Decoration, 1807, pl. 27, no. 2).
The same griffin sculptures, japanned in imitation bronze, feature on related sideboard-tables executed for Bretton Park, Yorkshire following its aggrandisement in the second decade of the 19th century by the architect Jeffry Wyatt (one illustrated in situ in A. Oswald, 'Bretton Park-II', Country Life, 28 May 1938, p. 558, fig. 10; its companion was sold 9 June 1947, lot 140 and acquired by the Victoria and Albert Museum in 1969 [W.26]).
The Ellison family were the leading bankers in Lincoln. Sudbrooke Holme, on the main Lincoln to Wragby road, was demolished in 1951.

More from Important English Furniture and Carpets including The

View All
View All