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細節
One-Eyed Jacks, 1961
A collection of production paperwork and correspondence relating to One-Eyed Jacks, including:
- a quantity of memos from Marlon Brando Sr., some signed, regarding various production issues;
- a quantity of memos from Luigi Luraschi regarding filming in accordance with the provisions of the Production Code;
- a memo from Producer, Frank P. Rosenberg, regarding the title of the film, dated 26 September, 1958, Sales Executives believe mistake to use title "One-Eyed Jacks" for Brando picture. They regard this title as indicating small picture and also as having gambler conotation. They much prefer previous title "Guns Up"..., 1p.;
- a Main Title Billing sheet sent to Brando for approval, 2pp. of mimeographed typescript, annotated in Brando's hand with notes regarding extra cast members to be included in the billing;
- a typed letter, signed, from Calder Willingham, on personal stationery, dated 6 March, 1961, the letter asking if it could be arranged that Willingham see the film, the letter signed Love & Kisses on your big fat ass, Calder W, 1p.;
- a typed letter from Charles Neider to George Glass, dated 9 February, 1961, telling him ...It's a beautiful strong film..., 1p.;
- two pages of typescript lyrics for a song to be sung at Brando's birthday party, the song entitled It's Been A Long Long Time, beginning Seems we started shooting on this film like years ago...Not even Marilyn Monroe when pregnant took as many takes,,,;
- a collection of notes by Sam Peckinpah entitled Transcription and Summation of notes on story, Conferences with Marlon Brando, George Glass and Frank Rosenberg concerning the re-write of "Hendry Jones", dated April-May, 1958, 12pp. of mimeographed typescript;
- a large quantity of letters and photographs sent to Brando requesting parts in the film, some accompanied by forwarding notes from Elia Kazan;
- a large quantity of shooting schedules and call sheets, various dates 1 December, 1958 - 3 June, 1959
- a scene-sequence breakdown for Guns Up, 7pp. of mimeographed typescript, with four pages annotated in Brando's hand;
- a collection of cutting notes in various hands, including three pages in Brando's hand with his comments on the last scene; and related material (a lot)
A collection of production paperwork and correspondence relating to One-Eyed Jacks, including:
- a quantity of memos from Marlon Brando Sr., some signed, regarding various production issues;
- a quantity of memos from Luigi Luraschi regarding filming in accordance with the provisions of the Production Code;
- a memo from Producer, Frank P. Rosenberg, regarding the title of the film, dated 26 September, 1958, Sales Executives believe mistake to use title "One-Eyed Jacks" for Brando picture. They regard this title as indicating small picture and also as having gambler conotation. They much prefer previous title "Guns Up"..., 1p.;
- a Main Title Billing sheet sent to Brando for approval, 2pp. of mimeographed typescript, annotated in Brando's hand with notes regarding extra cast members to be included in the billing;
- a typed letter, signed, from Calder Willingham, on personal stationery, dated 6 March, 1961, the letter asking if it could be arranged that Willingham see the film, the letter signed Love & Kisses on your big fat ass, Calder W, 1p.;
- a typed letter from Charles Neider to George Glass, dated 9 February, 1961, telling him ...It's a beautiful strong film..., 1p.;
- two pages of typescript lyrics for a song to be sung at Brando's birthday party, the song entitled It's Been A Long Long Time, beginning Seems we started shooting on this film like years ago...Not even Marilyn Monroe when pregnant took as many takes,,,;
- a collection of notes by Sam Peckinpah entitled Transcription and Summation of notes on story, Conferences with Marlon Brando, George Glass and Frank Rosenberg concerning the re-write of "Hendry Jones", dated April-May, 1958, 12pp. of mimeographed typescript;
- a large quantity of letters and photographs sent to Brando requesting parts in the film, some accompanied by forwarding notes from Elia Kazan;
- a large quantity of shooting schedules and call sheets, various dates 1 December, 1958 - 3 June, 1959
- a scene-sequence breakdown for Guns Up, 7pp. of mimeographed typescript, with four pages annotated in Brando's hand;
- a collection of cutting notes in various hands, including three pages in Brando's hand with his comments on the last scene; and related material (a lot)