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Details
The Fugitive Kind, 1959
A collection of approximately 2,600 contact prints on approximately 230 sheets, the shots taken by stills photographer Muky, some shots annotated in red crayon Not for Publication, the majority taken during the filming on set, some duplicates, subjects include: Director Sidney Lumet studying the script with Joanne Woodward and Anna Magnani; Lumet with a clapperboard; Lumet directing various scenes with Brando and other actors; Brando and Woodward; Brando and Magnani; Woodward and Magnani having their make-up touched up; members of the cast and crew relaxing between takes, each sheet -- 10x8in. (25.4x20.3cm.); accompanied by a final draft script, dated 1 June, 1959, 129pp. of mimeographed typescript, with blue paper covers; a shooting schedule and a rehearsal schedule, 13pp. of mimeographed typescript; a paperback book: WILLIAMS, Tennessee The Fugitive Kind, New York: Signet Books, 1960; and related material (a lot)
A collection of approximately 2,600 contact prints on approximately 230 sheets, the shots taken by stills photographer Muky, some shots annotated in red crayon Not for Publication, the majority taken during the filming on set, some duplicates, subjects include: Director Sidney Lumet studying the script with Joanne Woodward and Anna Magnani; Lumet with a clapperboard; Lumet directing various scenes with Brando and other actors; Brando and Woodward; Brando and Magnani; Woodward and Magnani having their make-up touched up; members of the cast and crew relaxing between takes, each sheet -- 10x8in. (25.4x20.3cm.); accompanied by a final draft script, dated 1 June, 1959, 129pp. of mimeographed typescript, with blue paper covers; a shooting schedule and a rehearsal schedule, 13pp. of mimeographed typescript; a paperback book: WILLIAMS, Tennessee The Fugitive Kind, New York: Signet Books, 1960; and related material (a lot)