Jean-Simeon Rousseau de la Rottière (Versailles 1747-1820) and Jules-Hugues Rousseau de la Rottière (Versailles 1743-1806 Lardy)
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Jean-Simeon Rousseau de la Rottière (Versailles 1747-1820) and Jules-Hugues Rousseau de la Rottière (Versailles 1743-1806 Lardy)

Two studies for an interior decoration with oval medallions flanked by winged caryatids: A couple being crowned with laurels by a putto; and Terpsichore playing a lyre with Euterpe holding a horn

Details
Jean-Simeon Rousseau de la Rottière (Versailles 1747-1820) and Jules-Hugues Rousseau de la Rottière (Versailles 1743-1806 Lardy)
Two studies for an interior decoration with oval medallions flanked by winged caryatids: A couple being crowned with laurels by a putto; and Terpsichore playing a lyre with Euterpe holding a horn
black chalk, bodycolour, shield-shaped
18 3/8 x 13 3/8 in. (465 x 340 mm.) and 18½ x 13 3/8 in. (472 x 340 mm.) (a pair) (2)
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No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The de la Rottière brothers specialized in painted interior decorations. They mainly worked in Versailles and Fontainebleau and were heavily influenced by the Pompeian style. Panels by the brothersare in the Getty Museum in Malibu. These latter works were painted for a room designed by the architect Claude-Nicolas Ledoux for Jean-Baptiste Hosten, a wealthy planter from Santo Domingo, who lived in Paris. The present pair reflect the styles popularised by Michelangelo Pergolesi in Rome in the 1770s. Related grisailles by Pernotin were painted in the 1780s at Althrop, Northamptonshire (E. Croft-Murray, Decorative painting in England 1537-1837, London, 1970, p. 257, fig. 104).

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