A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND FLORAL MARQUETRY COMMODE
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A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND FLORAL MARQUETRY COMMODE

MID-18TH CENTURY, ATTRIBUTED TO LEONARD BOUDIN

Details
A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND FLORAL MARQUETRY COMMODE
MID-18TH CENTURY, ATTRIBUTED TO LEONARD BOUDIN
The serpentine-fronted Rouge de Maine marble top above two bombé drawers inlaid sans traverse with a ribbon-bound floral bouquet in a cartouche with scrolled border and flanked by further floral sprays and above a shaped apron mounted with scrolling foliage, the shaped sides decorated with similar ribbon-tied floral bouquets, the angles with pierced foliate clasps and reaching to scrolling foliate sabots
35½ in. (90 cm.) high; 57½ in. (146 cm.) wide; 27½ in. (70 cm.) deep
Provenance
Almost certainly acquired by Ogden Mills for the hôtel de Broglie, 73 rue de Varenne, Paris and thence by descent.
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

Léonard Boudin, maître in 1761

The unusual frames of the tripartite front consisting of double scrolled borders are an original expression of the rocaille taste. This commode is related to the oeuvre of the ébéniste and marchand Léonard Boudin (1735-1807) who used the same composition on several pieces. This includes a commode illustrated in P. Kjellberg, Le Mobilier Français du XVIIIe siècle, Paris, 1998, p. 94 and another sold, Christie's, London, 30 May 1968, lot 53.
The scrolls derived from the oeuvre of Bernand II van Risemburg known as BVRB (maître in 1730) who often decorated his celebrated series of occasional table with similar bois de boût scrolls. One of these tables, formerly in the Wrightsman Collection and then sold, Sotheby's, London, 2 December 1983, lot 37, is illustrated in F. J. B. Watson, The Wrightsman Collection, New York, 1966, Vol. I, p. 255-256.
Léonard Boudin started his career as an independent ébéniste working for several of his contemporaries such as Migeon and Péridiez. He soon became an able craftsman as stated in L'Almanach Dauphin in 1770. After receiving important commissions he became a marchand-ébéniste and ordered pieces from his fellow ébénistes. His Louis XV furniture is thought to be entirely his own work.

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