A Nagasaki export lacquered copper panel
Christie's charge a premium to the buyer on the fi… Read more
A Nagasaki export lacquered copper panel

LATE 18TH CENTURY

Details
A Nagasaki export lacquered copper panel
Late 18th Century
Decorated in gold hiramakie and togidashi on a roironuri ground, with the Royal Dutch and British fleets prior to engagement, the reverse decorated in iroe hiramakie with scattered flowers, a list of names of the war ships and their respective Commanders with the inscription: "De Vloot in Linie van Bataille, onder commando van den Schout Bij Nacht J.A. Zoutman en het afkoomen der Engelschen onder de orders van den Vice Admir. H. Parker. op. Doggersbank den 5 Aug. 1781." (The fleet in line of battle under the command of Rear Admiral J.A. Zoutman, ready to engage the English under the command of Vice Admiral H. Parker. at Doggersbank, 5 August 1781), metal ring attachments, slight old wear
55.2 cm. wide; 33 cm. high
Special notice
Christie's charge a premium to the buyer on the final bid price of each lot sold at the following rates: 23.8% of the final bid price of each lot sold up to and including €150,000 and 14.28% of any amount in excess of €150,000. Buyers' premium is calculated on the basis of each lot individually.

Lot Essay

The Battle of Doggerbank occurred on 5 August 1781, when the English naval and merchant fleets under Admiral Hyde-Parker encountered the Dutch naval and merchant fleets under Admiral Zoutman. Four smaller panels in the collection of the Rijksmuseum, Amsterdam, showing scenes from the Battle of Doggerbank are inscribed Verlakt bij Sasaya in Japan AD 1792 (Lacquered at Sasaya in Japan AD 1792) and are derived from a series of nineteen engravings by Fredrik Murat, published 1782. Japanese lacquerwork decorated with representations from European prints and drawings only first appeared at the end of the late 18th Century. Commanders such as Isaac Titsingh, in Japan in 1780 and 1782-84, and J.F. van Reede tot de Parkeler (1786 and 1788-89) seem to have given the impetus to the production of this type of lacquer ware.
See: C.J.A. Jörg, Japanese lacquerwork decorated after European Prints, in Collections of essays in commemoration of the 30th Anniversary of the Institute of Oriental and Occidental Studies, Kansai University, Osaka 1981; C.J.A. Jörg, Japanese Export Lacquer. Trade and Imitation, in Imitation and Inspiration. Japanese Influence on Dutch Art, Amsterdam, 1989, pl.9; drawing. Atlas van Stolk, Rotterdam.

More from CHINESE AND JAPANESE CERAMICS AND WORKS OF ART

View All
View All