Lot Essay
A similar pair of ewers is illustrated by R. Mowry, China's Renaissance in Bronze: The Robert H. Clague Collection of Later Chinese Bronzes 1100-1900, Phoenix Art Museum, 1992, pp. 131-6, no. 26, where the author, p. 134, describes the ewers as having origins in sixteenth century Chinese porcelain vessels, and ascribes the attenuated necks and domed covers to the influence of Iranian metalwork. Like the present ewers the ogival panels also depict peony and pine decoration. See, also, the similar ewer sold in our London rooms, 8 June 2004, lot 416.