A Louis XVI style ormolu, blued metal and fluorspar gueridon
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A Louis XVI style ormolu, blued metal and fluorspar gueridon

AFTER ADAM WEISWEILER, ATTRIBUTED TO ALFRED BEURDELEY, PARIS, LAST QUARTER 19TH CENTURY

Details
A Louis XVI style ormolu, blued metal and fluorspar gueridon
After Adam Weisweiler, Attributed to Alfred Beurdeley, Paris, Last quarter 19th Century
The inset fluorspar top above a blued frieze applied with interwoven floral and laurel chains, above four basket-bearing caryatid supports with spreading frond and oak-leaf-cast stems, joined by an 'X'-shaped stretcher and terminating in tapering spirally-fluted feet, one support attachment plate stamped MB (probably for Maison Beurdeley) to the underside
28¼ in (71.8 cm.) high; 22¼ in. (56.5 cm.) diameter
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

Born in 1847, Alfred Beurdeley took over his father's successful business in 1875. The shop was located at the Pavillon de Hanovre, while Beurdeley's workshops were at 20 & 24 rue Dautancourt, Paris. The firm specialised in producing luxurious articles to the highest quality and was pre-eminent among the Parisian ébénistes and bronziers, especially for the refinement of its ormolu. The mercurial gilding and hand chasing are of a standard that makes them difficult to distinguish from late eighteenth century work. Beurdeley exhibited at the International Exhibitions, such as Paris in 1878 and Amsterdam in 1883, and was awarded the Gold Medal at the Paris Exposition Universelle of 1889. In the frequent absence of any signature, Beurdeley's work can be identified by the supreme quality of his cabinetwork and the fineness of his mounts, the latter occasionally bearing the small stamps BY for 'Beurdeley', or as here, MB for 'Maison Beurdeley'.

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