A rare series of sixty various Dutch blue and white chinoiserie tiles
Christie's charge a premium to the buyer on the fi… Read more
A rare series of sixty various Dutch blue and white chinoiserie tiles

SECOND HALF 17TH CENTURY

Details
A rare series of sixty various Dutch blue and white chinoiserie tiles
SECOND HALF 17TH CENTURY
Openluchtjes, depicting Chinese figures at various pursuits in various attires, some holding utensils and some with stylized landscapes to the background, e.g. an elaborate Chinese pagoda, a beggar lying in submission, a flag pole bearer, Jesuit monks diguished as Chinese, restored chips and losses, glaze pitting, four tiles with cracks (60)
Special notice
Christie's charge a premium to the buyer on the final bid price of each lot sold at the following rates: 23.8% of the final bid price of each lot sold up to and including €150,000 and 14.28% of any amount in excess of €150,000. Buyers' premium is calculated on the basis of each lot individually.

Lot Essay

Joan Nieuhof documented the first visit of a VOC delegation to the Chinese Emperor in 1655. Until the late 18th century Nieuhof's publication remained the most important source of China available in the West. Beside a unique report of the Imperial audiences and detailed information about ships, landscape, plants and animals, Nieuhof also paid attention to the Chinese social system. Many Chinese customs were considered akward and barbaric from a Western point of view and his description caused misunderstanding of Chinese habits to be persistent in Europe for a long time. One of these misperceptions is shown on one of the tiles where two men are clashing their heads together. Nieuhof reports: Die hunne gezonde leeden hebben, stooten, als uitzinnige menschen, met hunne blote hoofden zo stijf op elkandre aan, dat de bekkenelen schijnen te scheuren, en aan stukken springen. Dit harden ze zoo lang uit, totdat men iets geeft, of weggaat; naardien ze anders van dit bonzen en hardebollen niet zullen ophouden. (Those who are healthy of body, clash, as outrageous people, their heads so tight to one another, that their scull seems to tear apart, and fall to pieces. This they maintain for such a long time, until one gives them something, or leaves; otherwise they will not stop this bashing and clashing.)

See Exhibition catalogue, China - Delft - Europa, Chinoiserie. Het Prinsenhof, Delft, 5 Juni- 15 Augustus 1976, Delft, 1976, pp. 43-45, cat. nr. 10, ill. 1-6, p. 195-197 for the illustrated engraving of Joan Nieuhof from Het Gezantschap der Neêrlandtsche Oost-Indische Compagnie, aan den grooten Tartarischen Cham, den tegenwoordigen Keizer van China: waar in de gedenkwaerdighste Geschiedenissen, die onder het reizen door Sineesche landtschappen, Quantung, Kiangsi, Nanking, Xantung en Peking, en aan het Keizerlijke Hof te Peking, sedert den jare 1655 tot 1657 zijn voorgevallen, op het bondigste verhandelt worden. Beneffens Een Nauwkeurige Beschrijving der Sineesche Steden, Dorpen, Regeering, Wetenschappen, Hantwerken, Zeden, Godsdiensten, Gebouwen, Drachten, Schepen, Bergen, Gewassen, Dieren etc. en Oorlogen tegen de Tarters. Versiert met over 150 afbeeltsels, na't leven in Sina getekent: En beschreven door Joan Nieuhof; Toen eerste Hofmeester des Gezantschaps, tegewoordig Opperhooft in Coylan., Ed. Jacob van Meurs, Amsterdam, 1665 (Amsterdam, Universiteitsbibliotheek).
Further see P. Biesboer, 'De Chinoiserie in Nederland', Antiek, 13th annual, 1978-1979, no. 2, pp. 99-101, ill. p. 100 for a discussion concerning Nieuhof's importance with regard to Dutch Chinoiserie.

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