Lot Essay
The Storming of the Bastille, 14 July 1789, was one of the first and most significant events in the Revolution's history. Louis XVI's (1774-1792) dismissal of his reformist finance minister, Jacques Necker, on 11 July 1789, and his subsequent restructuring of the ministry, was taken by Parisians as the signal of a royal coup. The populace, feeling sure of an imminent attack from the King's forces, began to gather in the streets and search for arms to defend themselves. On the morning of 14 July some of the insurgents raided the Hôtel des Invalides for weapons, but, finding no ammunition, moved on to the Bastille.
The Bastille was a formidable structure, with ten-feet-thick walls and eight ninety-feet-high towers surmounted by cannons. Built originally in the fourteenth century to guard one of the main entrances to Paris, it now served as a prison and as an occasional store for arms. It stood as a symbol of the Ancien Régime.
Crowds assembled outside the fortress around mid-morning, calling for the surrender of the prison and the release of its gunpowder. Two deputies were invited into the castle to negotiate with the governor, Bernard-René de Launay. The crowd became impatient, however, when they failed to return and further demands were rejected. A deafening roar from the crowd caused the increasingly anxious army to withdraw from the outer courtyard and the rebels seized their opportunity to advance. Singleton depicts the ensuing events. Gunfire broke out as the chains to the drawbridge were cut and the crowd poured into the undefended court. The attackers were joined by gardes français and other veterans with weapons. Singleton shows two canons being aimed at the battlement under the direction of Jacobin soldiers with tricolour ribbons in their hats. At five o'clock, de Launay ordered a cease-fire, threatening to blow up the entire edifice, but surrendered shortly after in the realisation that his troops could not hold out much longer. The gates to the inner courtyard were opened and the vainqueurs rushed in to liberate the Bastille. Ninety-eight attackers and just one defender had lost their lives in the fighting. De Launay was seized and murdered, and his head processed through the streets on a spike. Two days after the Storming, on the order of the National Assembly, this symbol of tyrannical power was burned to the ground.
Singleton was one of the most celebrated painters of his day. Orphaned at a young age, he received his early training from his uncle, the miniature painter William Singleton (d.1793), before enrolling at the Royal Academy School in 1782. Singleton won the Silver Medal in 1784 and went on to claim the prestigious Gold Medal in 1788, at the age of twenty-two. He continued to exhibit at the Royal Academy throughout his life, as well as at the British Institution and the Society of British Artists.
A version of this painting, on metal and in an oval format (66.5 x 72.5 cm.), is in the Musée Carnavalet, Paris.
The Bastille was a formidable structure, with ten-feet-thick walls and eight ninety-feet-high towers surmounted by cannons. Built originally in the fourteenth century to guard one of the main entrances to Paris, it now served as a prison and as an occasional store for arms. It stood as a symbol of the Ancien Régime.
Crowds assembled outside the fortress around mid-morning, calling for the surrender of the prison and the release of its gunpowder. Two deputies were invited into the castle to negotiate with the governor, Bernard-René de Launay. The crowd became impatient, however, when they failed to return and further demands were rejected. A deafening roar from the crowd caused the increasingly anxious army to withdraw from the outer courtyard and the rebels seized their opportunity to advance. Singleton depicts the ensuing events. Gunfire broke out as the chains to the drawbridge were cut and the crowd poured into the undefended court. The attackers were joined by gardes français and other veterans with weapons. Singleton shows two canons being aimed at the battlement under the direction of Jacobin soldiers with tricolour ribbons in their hats. At five o'clock, de Launay ordered a cease-fire, threatening to blow up the entire edifice, but surrendered shortly after in the realisation that his troops could not hold out much longer. The gates to the inner courtyard were opened and the vainqueurs rushed in to liberate the Bastille. Ninety-eight attackers and just one defender had lost their lives in the fighting. De Launay was seized and murdered, and his head processed through the streets on a spike. Two days after the Storming, on the order of the National Assembly, this symbol of tyrannical power was burned to the ground.
Singleton was one of the most celebrated painters of his day. Orphaned at a young age, he received his early training from his uncle, the miniature painter William Singleton (d.1793), before enrolling at the Royal Academy School in 1782. Singleton won the Silver Medal in 1784 and went on to claim the prestigious Gold Medal in 1788, at the age of twenty-two. He continued to exhibit at the Royal Academy throughout his life, as well as at the British Institution and the Society of British Artists.
A version of this painting, on metal and in an oval format (66.5 x 72.5 cm.), is in the Musée Carnavalet, Paris.