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An album of twenty-four watercolours (vol. V) after various Old Masters (the majority details of), including: Carlo Maratta's The Virgin Reading; Palma il Vecchio's La Bella (illustrated, d); Titian's The Entombment of Christ; Assumption of the Virgin Mary; Madonna and Child (illustrated, c); and La Bella; Guido Reni's Portrait of Beatrice Cenci; Ruben's Romulus and Remus; Madonna and Child (illustrated, e); and The Miracle of Saint Ignatius of Loyola (illustrated, b); Caravaggio's The Card Sharps; Correggio's Danäe (illustrated, a); Bonifazio's Dives and Lazarus; and other examples after Raphael; Cagnacci; Domenichino; Empoli; Veronese; and Garofalo
細節
Harriet Cheney (1771-1848)
An album of twenty-four watercolours (vol. V) after various Old Masters (the majority details of), including: Carlo Maratta's The Virgin Reading; Palma il Vecchio's La Bella (illustrated, d); Titian's The Entombment of Christ; Assumption of the Virgin Mary; Madonna and Child (illustrated, c); and La Bella; Guido Reni's Portrait of Beatrice Cenci; Ruben's Romulus and Remus; Madonna and Child (illustrated, e); and The Miracle of Saint Ignatius of Loyola (illustrated, b); Caravaggio's The Card Sharps; Correggio's Danäe (illustrated, a); Bonifazio's Dives and Lazarus; and other examples after Raphael; Cagnacci; Domenichino; Empoli; Veronese; and Garofalo
the majority inscribed
pencil and watercolour
15¾ x 21 in. (40 x 53.4 cm.); and smaller; the album 23½ x 18½ in. (59.7 x 47 cm.) overall (24)
An album of twenty-four watercolours (vol. V) after various Old Masters (the majority details of), including: Carlo Maratta's The Virgin Reading; Palma il Vecchio's La Bella (illustrated, d); Titian's The Entombment of Christ; Assumption of the Virgin Mary; Madonna and Child (illustrated, c); and La Bella; Guido Reni's Portrait of Beatrice Cenci; Ruben's Romulus and Remus; Madonna and Child (illustrated, e); and The Miracle of Saint Ignatius of Loyola (illustrated, b); Caravaggio's The Card Sharps; Correggio's Danäe (illustrated, a); Bonifazio's Dives and Lazarus; and other examples after Raphael; Cagnacci; Domenichino; Empoli; Veronese; and Garofalo
the majority inscribed
pencil and watercolour
15¾ x 21 in. (40 x 53.4 cm.); and smaller; the album 23½ x 18½ in. (59.7 x 47 cm.) overall (24)
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