PABLO PICASSO
PROPERTY FROM THE ESTATE OF FRANCES LEVENTRITT
PABLO PICASSO

Paloma et sa Poupée sur fond noir (B. 727; M. 229)

Details
PABLO PICASSO
Paloma et sa Poupée sur fond noir (B. 727; M. 229)
lithograph, 1952, on Arches, signed in red crayon, numbered 28/50, with full margins, pale light- and time staining, a few pale foxmarks showing mostly in the margins and on the reverse, minor surface soiling in the margins, hinged in three places at the reverse of the upper margin edge (with associated staining showing through), otherwise in good condition, framed
L. 27½ x 21½ in. (699 x 546 mm.)
S. 30 x 22¼ in. (762 x 565 mm.)

Lot Essay

Frances Leventritt was a quintessential New Yorker-one whose tastes, manner, politics and sense of style were evident in every gesture. She and her husband, Victor, began collecting early in their marriage, and she continued even after his death in 1968. They collected under the guidance of their dear friend, the art historian Leo Steinberg. His advice was invaluable and through his introduction, the Leventritts came to have personal relationships with many important dealers, such as Pierre Matisse and Sam Kootz.

The collection ranges from Modernist paintings, drawings and sculptures including brilliant examples by Giacometti and Degas to Post War American and European artists, featuring jewels from Dubuffet and Calder as well as objects spanning the distant passions of Islamic pottery and old Master prints.

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