Lot Essay
Roger Berthoud comments, 'A mixed show at the Lefevre Gallery in April 1945, in which he [Sutherland] had seven oils and four gouaches, gave him a chance to demonstrate how he was evolving ... An Intruding Bull, thrusting its powerful horned head over a hedge, was no less novel or Picasso-esque. This was bought by Colin Anderson for £85 [sic.] ... Trying to pin down the essence of the change in his work in letter to Colin Anderson, Graham wrote: 'Whereas hitherto I've tried to invent forms which not only give the feeling but something of the appearance as well.' The Intruding Bull was the first result, and he thought it aesthetically the best of his recent pictures ... Graham added: 'I do thank you for being literally the only one of my earliest supporters who follows what I am trying to do as I try to do it, naturally, and without slight prompting on my part. You never seem shocked, never worried as to whether my work is always like Samuel Palmer or maddeningly like Picasso, or too hard now or too soft before' (op. cit., pp. 118-9).