Lot Essay
'Direct carving is the heart of sculpture'; this remark was made passionately by the artist as she handled reflectively a piece of marble at its early stage of shaping, expessing the core of the artist's creed. Clay or plaster was too responsive, too unresisting ('I hate modelling'), had too little character of its own to be subjected to the craftsman's will. Wood and stone, on the other hand, provided resistance, substance, their own inherent forms and tensions. 'I believe that the understanding of the material and the meaning of the form being carved must be in perfect eqilibrium'. The artist is never overborne by the material nor the material wholly subdued to the formal vision (see M. Merchant (intro.), Exhibition catalogue, Marlborough Fine Art, London, 1982, p. 5).
This work will be included as BH 156B in the forthcoming revised catalogue raisonné, currently being prepared by Dr. Sophie Bowness.
We are grateful to Dr. Sophie Bowness for her assistance with preparing the catalogue entries for lots 121 and 122.
This work will be included as BH 156B in the forthcoming revised catalogue raisonné, currently being prepared by Dr. Sophie Bowness.
We are grateful to Dr. Sophie Bowness for her assistance with preparing the catalogue entries for lots 121 and 122.