ITALIAN, AFTER THE ANTIQUE, CIRCA 1722

Details

A BRONZE MODEL OF A FAUN
ITALIAN, AFTER THE ANTIQUE, CIRCA 1722
Depicted standing and playing a flute, now lacking; with a lion's pelt draped around his shoulders and kneeling on a tree stump; on an integrally cast oval base; dark brown patina with warm medium brown high points
18 in. (45.7 cm.) high

Provenance

One of the 13 bronzes purchased by Thomas, 1st Earl of Macclesfield, 15 July 1723 for a total of £300.
Thence by descent at Shirburn Castle.

Literature

T. P. Connor, 'The fruits of a Grand Tour - Edward Wright and Lord Parker in Italy, 1720-22', in Apollo, July 1998, pp. 23-30.

COMPARATIVE LITERATURE:

F. Perrier, Segmenta nobilium signorum et statuarum que temporis denteminvidium evase, 1638, no. 48.
F. Haskell and N. Penny, Taste and the Antique - The Lure of Classical Sculpture 1500-1900, New Haven and London, 1981, no. 39.

Special notice

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The Faun with Pipes, upon which the present exceptional bronze is based was certainly recorded in the Villa Borghese, Rome, by 1638. It remained there until 1807 when it was purchased, along with much of the Borghese collection, by Napoleon Bonaparte - brother-in-law to Prince Camillo Borghese. In 1815 it was installed in the Louvre, where it now resides.

Its popularity was evidently significant since it featured in Francois Perrier's 1638 anthology of the most admired statues in Rome (loc. cit.). It was copied extensively in the 17th and 18th centuries being reproduced in engravings, plaster casts, Wedgwood and bronzes such as the present lot.

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