拍品 339
339
[ITALIAN BINDINGS]. SFERAMUNDI DI GRECIA. La quarta parte della historia... Translated by Mambrino Roseo da Fabriano. Venice: Michele Tramezino, 1563. 8o. Contemporary Italian morocco gilt over pasteboard, arabesque azured plaque, central compartment of upper cover gilt lettered "QUARTO LIBRO," lower cover lettered "DI SFERAMUNDI," fillet outer frame, border of repeat small floral tool, spine in four compartments with azured floral design, gilt and gauffered edges (rebacked with contemporary spine laid down, spine ends and corners restored). Provenance: Henri de Juvenal (bookplate). According to BMC the book was written by the "translator" M. Roseo. It is the four part of book 13 of Amadis de Gaula's work Los quarto libros des cauallero Amadis de Gaula. BMC/STC Italian p.23.

細節
[ITALIAN BINDINGS]. SFERAMUNDI DI GRECIA. La quarta parte della historia... Translated by Mambrino Roseo da Fabriano. Venice: Michele Tramezino, 1563. 8o. Contemporary Italian morocco gilt over pasteboard, arabesque azured plaque, central compartment of upper cover gilt lettered "QUARTO LIBRO," lower cover lettered "DI SFERAMUNDI," fillet outer frame, border of repeat small floral tool, spine in four compartments with azured floral design, gilt and gauffered edges (rebacked with contemporary spine laid down, spine ends and corners restored). Provenance: Henri de Juvenal (bookplate). According to BMC the book was written by the "translator" M. Roseo. It is the four part of book 13 of Amadis de Gaula's work Los quarto libros des cauallero Amadis de Gaula. BMC/STC Italian p.23.

[SANNAZARO, Giacomo. De partu Virginis... Rome, 1527]. (Lacks title). 4o. Contemporary red morocco gilt, border of blind and gilt fillets, and a wide floral roll tool around a central medallion head, encircled with a fleur-de-lys tool (rebacked, worn). Provenance: A.G. du Plessis (bookplate).

Officium Hebdomade sancta a dominica in ramis palmarum Venice: Lucantonio de Giunta, 1534. 12o. Printed in red and black, woodcut vignette on title page and 5 full-page woodcuts, many historiated initials. Contemporary black morocco, sides tooled in blind with fillets, roll tools and central monogram (rabacked, restoration to edges).

BIBLE, Latin. Novum Testamentum breves Venice: Bernardino Stagnino, 1538.8o. Contemporary red morocco gilt, central arabesque and interlaced line border in gilt and blind (upper joint cracked, light restoration to spine ends and edges). (4)