.jpg?w=1)
細節
THREE SOUTHWEST JARS
the first, a San Ildefonso blackware jar, with flat base and full rounded body tapering to a tall neck, the thick walls deeply carved and painted in matte against a highly polished slip, with an avanyu circumscribing the shoulder and stepped motifs about the neck, signed on the base, Juanita and Tony, S.I.P.; the second, a Santa Clara redware jar, of globular form, painted in buff against a highly polished slip, with carved stepped motifs, signed on the base, Anita L. Suazo, Santa Clara Pue; the third, a Santa Clara redware jar, with thick flaring walls tapering inward to rim, painted in buff against a highly polished slip, carved with scrolling and hooked motifs above the shoulder, signed on the base, Terasita Naranjo
Diameters: the first and second, 5 in. (12.7 cm.) each; the third, 4 in. (10.2 cm.) (3)
the first, a San Ildefonso blackware jar, with flat base and full rounded body tapering to a tall neck, the thick walls deeply carved and painted in matte against a highly polished slip, with an avanyu circumscribing the shoulder and stepped motifs about the neck, signed on the base, Juanita and Tony, S.I.P.; the second, a Santa Clara redware jar, of globular form, painted in buff against a highly polished slip, with carved stepped motifs, signed on the base, Anita L. Suazo, Santa Clara Pue; the third, a Santa Clara redware jar, with thick flaring walls tapering inward to rim, painted in buff against a highly polished slip, carved with scrolling and hooked motifs above the shoulder, signed on the base, Terasita Naranjo
Diameters: the first and second, 5 in. (12.7 cm.) each; the third, 4 in. (10.2 cm.) (3)