Attributed to Giovanni Nanni, called Giovanni da Udine (Udine 1487-1564 Rome)
Attributed to Giovanni Nanni, called Giovanni da Udine (Udine 1487-1564 Rome)

A blue tit and a goldfinch

Details
Attributed to Giovanni Nanni, called Giovanni da Udine (Udine 1487-1564 Rome)
A blue tit and a goldfinch
watercolor, watermark double-C with a cross
5½ x 5¾ in. (140 x 146 mm.)
Provenance
Hohenzollern-Hechingen (L. 2087).
with C.G. Boerner, Dusseldorf, Ausgewahlte Handzeichnungen aus vier Jahrhunderten, Neue Lagerliste 34, 1962, no.111.
Kurt Meissner, Zurich, his stamp on the mount (not in Lugt).
Exhibited
Bremen, Kunsthalle and Zürich, Kunsthaus, Handzeichnungen alter Meister aus Schweizer Privatbesitz, 1967, no. 57.
Stanford, Art Gallery, and elsewhere, Old Master Drawings from the Collection of Kurt Meissner, 1969-70, no. 21.

Lot Essay

Giovanni da Udine collaborated with Raphael on the Psyche Loggia at the Villa Farnesina and in the Vatican Logge, specialising in grotesche often populated with birds. While no drawings can be securely associated with the birds in the frescoes, a study of Finches in the Uffizi (inv. no. 461S), apparently by the same hand as the present lot, bears a 16th Century inscription '[V]anni deudine'.
Comparable drawings of birds and animals associated with Giovanni da Udine include a Cock pheasant in the British Museum (P. Pouncey and J.A. Gere, Italian Drawings in the British Museum, Raphael and his Circle, London, 1962, no. 153), a Woodpecker in the Nationalmuseum, Stockholm (P. Bjurström, Dessins du Nationalmuseum de Stockholm, exhib. cat., Paris, Louvre, and elsewhere, 1970-71, no. 11) and A lapwing and a teal sold Sotheby's, London, 21 October 1963, lot 86.

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