EISENBERG, baron d' (c.1685-c.1764). L'art de monter a cheval: ou Description du manége moderne, dans sa perfection. The Hague: P. Gosse and J. Neaulme, 1733.
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EISENBERG, baron d' (c.1685-c.1764). L'art de monter a cheval: ou Description du manége moderne, dans sa perfection. The Hague: P. Gosse and J. Neaulme, 1733.

細節
EISENBERG, baron d' (c.1685-c.1764). L'art de monter a cheval: ou Description du manége moderne, dans sa perfection. The Hague: P. Gosse and J. Neaulme, 1733.

Oblong 2° (263 x 390mm). Additional engraved title and 59 plates engraved by Bernard Picart, including 4 of bits, list of subscribers. (Light offsetting and occasional spotting.) Late 19th-century red hard-grained half morocco, top edges gilt (a little rubbed). Provenance: John Hamilton, 1737 (lightly deleted signature on title) -- Gordon Castle (library shelf-mark).

Second edition of this classic work on horsemanship which, like the first of 1727, is dedicated to George II who heads the list of subscribers. The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438.
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No VAT on hammer price or buyer's premium.