A GEORGE III GILTWOOD AND WHITE-PAINTED PIER GLASS AND CONSOLE TABLE
No VAT will be charged on the hammer price, but VA… Read more
A GEORGE III GILTWOOD AND WHITE-PAINTED PIER GLASS AND CONSOLE TABLE

LATE 18TH CENTURY

Details
A GEORGE III GILTWOOD AND WHITE-PAINTED PIER GLASS AND CONSOLE TABLE
LATE 18TH CENTURY
The rectangular divided plate within beaded border, surrounded by smaller plates, the demi-lune pier table with later white marble top, the frieze with bow and swag decoration, on fluted tapering legs, decorated, replacements to the plates
The pier-glass - 106 x 50 3/8 in. (269 x 128 cm.) (2)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The elliptic pier-table is wreathed with a ribboned veil festoon in the 1770s antique, or Roman, fashion popularised by architects such as Robert Adam (d. 1792) and James Wyatt (d. 1813). Its columnar legs are wreathed in laurels, en suite with the pier-glass. A late l8th century table at Osterley Park, Middlesex, is similarly festooned and decorated in white and gold in the French fashion (M. Tomlin, Catalogue of Adam Period Furniture, London, 1982, T/9). The lowering of a pier-glass to be incorporated as part of the table occurred with the pier-table of the Piccadilly Room at Apsley House, London, in the late l9th century (J. Voack, Apsley House, London, 1998, p. 40).

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