拍品专文
This bottle, a documentary delight, provides the name of the inscriber, the name of the maker of the blank bottle and the name of the recipient. Sadly, however, nothing is known about any of the participants except that the inscriber comes from an area known as 'above Yangzhou.' This, combined with its similarity to the lacquer wares made by Lu Dong of Yangzhou (an example of whose work was formerly in the J & J Collection and illustrated in Moss et. al., The Art of the Chinese Snuff Bottle, p. 52-2, no. 307 and subsequently sold in these rooms, 30 March 2005, lot 86) is compatible with a Yangzhou attribution.
The surface of the bottle has been treated as if it was a small painting or album leaf, and like a painting, the artist has titled it and inscribed it to a friend. The incised decoration, spontaneous and confident, is typical of the nineteenth century literati amateur. The Buddhist lions, shown romping on swirling clouds, are full of spirit. A similar sense of energy can be found on a bamboo brush pot by the nineteenth century scholar Liu Xihai in the Bloch Collection, illustrated in Arts from the Scholar's Studio, no. 57, which is decorated with a somewhat similar-looking beast.
The surface of the bottle has been treated as if it was a small painting or album leaf, and like a painting, the artist has titled it and inscribed it to a friend. The incised decoration, spontaneous and confident, is typical of the nineteenth century literati amateur. The Buddhist lions, shown romping on swirling clouds, are full of spirit. A similar sense of energy can be found on a bamboo brush pot by the nineteenth century scholar Liu Xihai in the Bloch Collection, illustrated in Arts from the Scholar's Studio, no. 57, which is decorated with a somewhat similar-looking beast.