**A SUPERB BLACK AND WHITE JADE SNUFF BOTTLE
Prospective purchasers are advised that several co… Read more
**A SUPERB BLACK AND WHITE JADE SNUFF BOTTLE

SCHOOL OF ZHITING, SUZHOU, 1750-1830

Details
**A SUPERB BLACK AND WHITE JADE SNUFF BOTTLE
SCHOOL OF ZHITING, SUZHOU, 1750-1830
The compressed ovoid bottle finely carved with a continuous rocky landscape, cleverly utilizing the paler markings on one side to depict a scholar standing on a rocky outcrop beside two small country dwellings, an open book behind him, inscribed 'A Song', while below a farmer with a hoe is in conversation with a woodcutter leaning on a bundle of sticks for support, a nearby fisherman drawing water from a stream, all beneath a crescent moon, the reverse with the farmer's buffalo walking across a rocky bank beneath an overhanging pine tree, an inscription incised to one side reading 'Homesteads are to be found in the far distance under the white clouds' followed by the signature Xichuang, a collector's seal, Yuanzhen, in red seal script impressed on an oval paper label glued to the foot, jadeite stopper
2 5/16 in. (6.4 cm.) high
Provenance
Sotheby's, Los Angeles, 27 May 1982, lot 979
Hugh M. Moss Ltd.
Literature
100 Selected Chinese Snuff Bottles from the J & J Collection, no. 90
J & J poster
Arts of Asia, September-October 1987, p. 146
JICSBS, Autumn 1989, front cover
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 1, no. 25
JICSBS, Winter 1995, p. 9, fig. 12
Asian Art, September 1999, p. 16, fig. 20
Art & Collection, August 2002, no. 119, p. 78
Art Market Magazine, November 2003, no. 10, p. 63
The Miniature World, An Exhibition of Snuff Bottles from the J & J Collection, p. 31
The Art of Chinese Snuff Bottle, Poly Art Museum, p. 27
Exhibited
Dallas Convention, October 1985
Christie's London, October 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

The town of Suzhou, famous for its gardens and canals, was also one of the main cultural centers in China, attracting many painters, calligraphers, poets, musicians and other talented individuals. Their pursuits and interests form the main subject matter of the group of acclaimed snuff bottles intricately carved from agate and jade in a style unique to the workshop associated with Zhiting from the area.

There are many masterpieces of the Zhiting school, but few are more impressive than this example. A tour de force of hard-stone carving, it is carved from the black, grey and white nephrite so beloved of the school providing a spectacular canvas for the imaginative carver. Every nuance of color has been used with considerable imagination and to great effect. Particularly noteworthy are the different planes of color used to accentuate beards, hair and hat of the three figures and the subtle use of the pale grey streak on the reverse to create the tumbling brook.

Depicted here are the Four Noble Pofessions: scholar, farmer, fisherman and woodcutter. The elevation of the scholar above the manual laborers here may imply a hierarchical statement, as he stands beneath the moon contemplating lofty thoughts while the workers toil at the base of the bottle.

Very few jade carvings attributed to Suzhou are inscribed with a signature, and in this case, only the given name has been provided, and can either be that of the carver or that of the poet who wrote the lines inspiring the subject. Even rarer is the collector's seal reading 'Yuanzhen' which has been impressed in red on paper and glued to the foot of the bottle. Such seals are commonly added to paintings and calligraphy, but this is one of the few known instances where such a seal has been added to a snuff bottle.

For other Suzhou black and white jade bottles, see G. Tsang and H. Moss, Snuff Bottles of the Ch'ing Dynasty, p. 100, nos. 160 and 162; and L. S. Perry, Chinese Snuff Bottles: The Adventures and Studies of a Collector, p. 104, nos. 85 and 87. Three more black and white jade bottles from the same school are illustrated by R. Kleiner, Treasures from the Sanctum of Enlightened Respect: Chinese Snuff Bottles from the Collection of Denis Low, nos. 42-4. A small black and white example from the McReynolds Collection is illustrated by B. Stevens, The Collector's Book of Snuff Bottles, no. 44, and an example in The Victoria and Albert Museum is illustrated by H. White, Snuff Bottles from China, pl. 3. See, also, six further black and white examples illustrated by H. Moss, V. Graham, K. B. Tsang, A Treasury of Chinese Snuff Bottles, vol. 1, Jade, nos. 126-31.

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