拍品專文
It is extremely rare to find a combination of sandwiched glass (where a color is contained between transparent or translucent layers) and overlay. In this case the translucent nature of the white glass would not have worked particularly well as an outer layer for a simply sandwiched bottle, so it was obviously designed originally to be an overlay with the intention of cutting back through the upper layer of translucent white glass to reveal the speckled effects of sandwiching ground-up flakes of ruby-red glass between layers of white. The selection of the subject is masterly, with the white fish and flowers above the water created by revealing the sandwiched pink layer and suggesting the dappling of sunlight in a clear pond.
A very similar bottle, but carved with chi dragons, was offered at Sotheby's, London, 2 July 1984, lot 212. Two further examples include one in blue overlay on a transparent ground, illustrated by H. Moss, Chinese Snuff Bottles, no. 1; and a bottle with similar colors, but carved with pine trees, sold at Sotheby's, London, 23 March 1988, lot 106.
A very similar bottle, but carved with chi dragons, was offered at Sotheby's, London, 2 July 1984, lot 212. Two further examples include one in blue overlay on a transparent ground, illustrated by H. Moss, Chinese Snuff Bottles, no. 1; and a bottle with similar colors, but carved with pine trees, sold at Sotheby's, London, 23 March 1988, lot 106.