**A RARE AND FINELY CARVED RUBY-PINK CARVED OCTAGONAL GLASS SNUFF BOTTLE
Prospective purchasers are advised that several co… 顯示更多
**A RARE AND FINELY CARVED RUBY-PINK CARVED OCTAGONAL GLASS SNUFF BOTTLE

IMPERIAL, PALACE WORKSHOPS, BEIJING, 1740-1800

細節
**A RARE AND FINELY CARVED RUBY-PINK CARVED OCTAGONAL GLASS SNUFF BOTTLE
IMPERIAL, PALACE WORKSHOPS, BEIJING, 1740-1800
Of faceted, compressed spherical form with cylindrical neck, either main side with an oval panel with a simulated rope border, one panel carved with carp swimming amidst reeds, the other with flowering lotus, the narrow sides carved with six of the Eight Buddhist Emblems, the neck with a band of pendent ruyi heads beneath rope-twist decoration encircling the mouth, jadeite stopper
2 1/16 in. (5.2 cm.) high
來源
Hugh M. Moss Ltd. (London 1976)
出版
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 2, no.
355
Arts of Asia, November-December 1995, p. 127
The Miniature World-An Exhibition of Snuff Bottles from the J & J Collection, p. 66
展覽
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

拍品專文

This bottle can be confidently attributed to the Beijing Palace workshops based on a number of factors such as the faceted, octagonal shape, the simulated rope borders which are derived from archaic bronzes, the fringe of hanging jewels encircling the neck and the panels of decoration set against completely decorated surrounding areas.

Interestingly, while only six of the eight auspicious Buddhist emblems could be represented on the narrow side panels, the missing two (the pair of fish and the lotus) are cleverly suggested by the naturalistic designs on the main panels. The combination of fish and lotus form a rebus for 'abundance year after year'. There may also be an allusion to the yin yang dichotomy, since the lotus and fish are symbolic of a young woman and a young man, respectively.

An almost identical faceted glass bottle in the collection of Denis Low, and formerly in the White Wings Collection, is illustrated by R. Kleiner, Treasures from the Sanctum of Enlightened Respect, p. 96, no. 79. Other examples in yellow, pink and red are illustrated by B. Laufer, Catalogue of a Collection of Ancient Chinese Snuff Bottles in the Possession of Mrs. George T. Smith, no. 122; B. C. Stevens, Chinese Snuff Bottles and Dishes, no. 2; by P. Friedman, Chinese Snuff Bottles from the Pamela R. Lessing Friedman Collection, no. 13; in 'Snuff Bottles from the Collection of Tuyet Nguyet', Arts of Asia, July-August 1986, p. 39; V. Jutheau, L'Arcade Chaumet, no. 88. See, also, the example from the Irving Lindzon Collection sold in our London rooms, 12 October 1987, lot 303.