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Gyokuban abura-e, fue, kokyu, nisen (Oil painting on glass and musical instruments: flute; violin; two-stringed instrument), 1860.3 Yokohama shokan: Furansujin bajo no zu (Yokohama merchants: French people horseback riding), 1861.1 Yokohama shoka komojin kaki-mitome no zu (Foreigners signing documents in a Yokohama merchant house), 1861.1
Details
Hashimoto Sadahide (1807-1878/79)
Gyokuban abura-e, fue, kokyu, nisen (Oil painting on glass and musical instruments: flute; violin; two-stringed instrument), 1860.3
Yokohama shokan: Furansujin bajo no zu (Yokohama merchants: French people horseback riding), 1861.1
Yokohama shoka komojin kaki-mitome no zu (Foreigners signing documents in a Yokohama merchant house), 1861.1
Each signed Gountei Sadahide ga, first published by Maruya Tokuzo, second and third by Daikokuya Heikichi; along with one sheet of a pentaptych Yokohama torai shonin (Picture of a foreign merchant in Yokohama) depicting a Prussian couple, published by Moriya Jihei--moderate and good impressions, good color, soiled, stained, creased, worming on the second
oban yoko-e, first; oban tate-e (4)
Gyokuban abura-e, fue, kokyu, nisen (Oil painting on glass and musical instruments: flute; violin; two-stringed instrument), 1860.3
Yokohama shokan: Furansujin bajo no zu (Yokohama merchants: French people horseback riding), 1861.1
Yokohama shoka komojin kaki-mitome no zu (Foreigners signing documents in a Yokohama merchant house), 1861.1
Each signed Gountei Sadahide ga, first published by Maruya Tokuzo, second and third by Daikokuya Heikichi; along with one sheet of a pentaptych Yokohama torai shonin (Picture of a foreign merchant in Yokohama) depicting a Prussian couple, published by Moriya Jihei--moderate and good impressions, good color, soiled, stained, creased, worming on the second
oban yoko-e, first; oban tate-e (4)