AN IMPERIAL BLUE SATIN CEREMONIAL SUIT OF ARMOR
AN IMPERIAL BLUE SATIN CEREMONIAL SUIT OF ARMOR

LAST QUARTER 19TH CENTURY

Details
AN IMPERIAL BLUE SATIN CEREMONIAL SUIT OF ARMOR
LAST QUARTER 19TH CENTURY
Each component of dark blue satin silk decorated with numerous brass bosses encircling dragon roundels worked in satin stitch and couched gold thread, within black velvet borders, comprising: a jacket; an apron; two shoulder pads further decorated with gilt-metal dragon plaques in repoussé; two shaped side flaps; two shaped rectangular flaps; and two circular metal discs for attachment to the front and back of the jacket; a metal-mounted belt; a metal-mounted burgundy velvet bow holder and matching quiver; a pair of black silk boots; and an orange silk tassled tie
Jacket 30 in. (76 cm.) long; apron 38½ in. (97.8 cm.) long

Lot Essay

Although the purpose of this uniform was purely ceremonial, its construction is based on armour used for protection in battle. The legs were covered with aprons for protection, but the seat was left free to allow the wearer to mount a horse. The front square panel here is made of silk, but this would have been made of metal for actual combat. An example closest to the present lot can be seen in the detail of a handscroll by the court painter Jia Quan, dated to 1776 by an Imperial preface, illustrating a portrait of general Mingliang in similar blue silk armor, illustrated in Meisterwerke aus China, Korea and Japan, Museum für Ostasiatische Kunst, Köln, Munich/New York, 1995, p. 105. An example of ceremonial armor in the Victoria and Albert Museum is illustrated by G. Dickinson and L. Wrigglesworth, Imperial Wardrobe, London, 1990, pl. 16; and others were included in the exhibition, China - The Three Emperors 1662-1795, Royal Academy of Arts, London, 12 November 2005 - 17 April 2006, illustrated in the catalogue, pp. 156-7.

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