A PEACHBLOOM-GLAZED 'CHRYSANTHEMUM' VASE, JUBAN PING
A PEACHBLOOM-GLAZED 'CHRYSANTHEMUM' VASE, JUBAN PING

KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

细节
A PEACHBLOOM-GLAZED 'CHRYSANTHEMUM' VASE, JUBAN PING
KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)
The ovoid-shaped vase with a tall flaring neck and standing on a short ring foot, molded around the base with a band of chrysanthemum petals, covered inside and out in a greyish-rose glaze shading into a paler color on the raised areas
8 5/8 in. (21.8 cm.) high, box, stand
来源
Christie's, London, 18 June 2002, lot 225.

拍品专文

This vase forms one of the ba da ma or 'Eight Great Numbers', among the most sophisticated and distinguished of all Imperial porcelains made for the Emperor's writing table. The extremely desirable peachbloom glaze is found exclusively on the eight shapes that make up the set and was not known on other forms, although certain examples are sometimes unaccountably designated as such.

Similar examples are illustrated by S. Valenstein in A Handbook of Chinese Ceramics, New York, 1989, rev. ed., p. 237, no. 233, from the Metropolitan Museum of Art, New York; by R. Krahl, Chinese Ceramics from the Meiyintang Collection, vol. II, London, 1994, p. 177, pl. 818; one from the Beijing Palace Museum is illustrated in Kangxi Yongzheng Qianlong, Hong Kong, 1989, p. 138, pl. 121; another from the Percival David Foundation, in Oriental Ceramics, The World's Great Collections, vol. 6, Tokyo, 1982, col. pl. 52; from the Baur Collection illustrated by J. Ayers, The Baur Collection, vol. III, Geneva, 1972, no. A 302; from the Chang Foundation, illustrated in Selected Chinese Ceramics from Han to Qing Dynasties, Taiwan, 1990, p. 270, fig. 115; and one as part of a set from the Jingguantang Collection, sold in our Hong Kong rooms, 3 November 1996, lot 557. See, also, the example formerly from the collection of David A. Berg sold in these rooms, 21 September 2001, lot 384.