Rembrandt Harmensz. van Rijn
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Rembrandt Harmensz. van Rijn

The artist's mother seated at a table looking right: Three-quarter-length (B., Holl. 343; H. 52)

Details
Rembrandt Harmensz. van Rijn
The artist's mother seated at a table looking right: Three-quarter-length (B., Holl. 343; H. 52)
etching, circa 1631, a very good impression of the second state (of three), before the plate was cut down to an oval, the finely etched detail in the face and hands particularly clear, with 1-3 mm. margins on three sides, an 8 mm. margin at the bottom, the tips of the sheet corners at right skilfully made-up, an area of very pale staining on the reverse (not showing through), otherwise in very good condition.
(FPR 11)
P. 149 x 131 mm., S. 158 x 134 mm.
Provenance
A.F.T. Bohnenberger (L. 68)
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This work probably dates from 1631, around the time of Rembrandt's return to Amsterdam. The sitter has long been identified as Rembrandt's mother, Neeltgen Willemsdochter van Zuytbroeck, and is one of five etchings he made of her between 1628 and 1633. Like other prints of the period, it has a certain formality which he no doubt hoped would impress potential patrons. In many respects it is more an elaborate study after a model than a straightforward portrait, and it contrasts markedly with the smaller, more delicate studies done in earlier years. The closely observed details suggest that he worked directly from the model onto the plate, starting with the face, and adding the headdress and figure after. It must have been a success since it was reprinted several times in the 1630's and editions are known from the 1640's.
Reproduced actual size.

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