AN ORMOLU-MOUNTED SEVRES STYLE TURQUOISE-GROUND VASE
PROPERTY OF A ST. LOUIS COLLECTOR
AN ORMOLU-MOUNTED SEVRES STYLE TURQUOISE-GROUND VASE

CIRCA 1851, THE MOUNTS STAMPED VICTOR PAILLARD A PARIS

Details
AN ORMOLU-MOUNTED SEVRES STYLE TURQUOISE-GROUND VASE
CIRCA 1851, THE MOUNTS STAMPED VICTOR PAILLARD A PARIS
Of inverted pear shape, finely painted after Boucher with putti frolicking among clouds within a gilt enriched moulded surround, beneath a pierced gadrooned gallery flanked by paired putti clambering up grapevine entwined scroll handles with dolphin mask terminals suspending oak leaf and acorn swags, the lower body and reverse painted with panels of bouquets within elaborate gilt surrounds, on a socle foot, raised on a cast rocaille scroll foot
29 in. (73.6 cm.) high

Lot Essay

Although best known as a fondeur, Victor Paillard (d. 1886) also created and produced his own sculptures, chenets, candelabra and other decorative objects. In the 1830s he opened his own business of Bronze d'art et d'ameublement at 105 boulevard Beaumarchais and 6 rue Saint-Claude, first showing his own work at the Exposition des produits de l'industrie in 1839. By 1855 he was employing approximately a hundred workmen. As a founder he also worked for numerous well-known sculptors such as Pradier, Barye and Carrier-Belleuse.

In his career spanning more than forty years, Paillard exhibited at many of the major international exhibitions, winning a medal for his work at the 1851 Exhibition. He was a member of the juries of the international exhibitions of 1855 in Paris and 1862 in London, and won a gold medal in Paris in 1867. The present model resembles the example shown on the Paillard stand at the Crystal Palace Exhibition of 1851. See The Art-Journal, New York, p. 289 where the model is described as a 'Noble Vase of porcelain in the Louis Quatorze style'. Also see The Illustrated Exhibitor of the Industry of All Nations, 1851, London, p. 229.

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