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Details
Edgar Degas
Femme é La Matille, (L. D. 43 A and C. 51)
aquatint, circa 1879, on simili-Japan, from the cancelled plate, with margins, a few small creases in the margins, faint light staining, tape showing through from the reverse at lower sheet corners, (unframed)
P. 6½ x 4¾in (16½ x 12cm)
with Grand Entry of the Allied Sovereigns into Leipsic, coloured aquatint, published 1815 by R. Bowyer, wove paper, with margins, tear to bottom margin, (unframed); and a large Collection of 19th and 20th Century prints of a topographical and decorative nature by or After Rembrandt, J. A. McNeil Whistler, Constable, Cosway, Cruikshank and others
See Illustration (50)
Femme é La Matille, (L. D. 43 A and C. 51)
aquatint, circa 1879, on simili-Japan, from the cancelled plate, with margins, a few small creases in the margins, faint light staining, tape showing through from the reverse at lower sheet corners, (unframed)
P. 6½ x 4¾in (16½ x 12cm)
with Grand Entry of the Allied Sovereigns into Leipsic, coloured aquatint, published 1815 by R. Bowyer, wove paper, with margins, tear to bottom margin, (unframed); and a large Collection of 19th and 20th Century prints of a topographical and decorative nature by or After Rembrandt, J. A. McNeil Whistler, Constable, Cosway, Cruikshank and others
See Illustration (50)