A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH AND PARQUETRY COMMODE
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH AND PARQUETRY COMMODE

STAMPED TWICE 'L. BOUDIN' AND ONCE 'JME', CIRCA 1765

Details
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH AND PARQUETRY COMMODE
STAMPED TWICE 'L. BOUDIN' AND ONCE 'JME', CIRCA 1765
The later molded and shaped brèche violette marble top above three short frieze-drawers with mechanical lock system and with Greek-key panels, above two long drawers decorated sans traverse with geometric banding and panels, the angles with pierced foliate mounts above the cabriole legs terminating in foliate sabots, stamped to the left side of the top of the carcase, restored breaks to marble, restorations and replacements to the veneers, particularly to the legs, possibly originally with an apron
33½ in. (85 cm.) high, 53½ in. (136 cm.) wide, 25½ in. (65 cm.) deep

Lot Essay

Léonard Boudin, maître in 1761.

Léonard Boudin (1735 - 1807) started his career working for Pierre Migeon, mainly supplying furniture with floral marquetry veneers or Chinese-style japanning. After receiving his maîtrise, he opened his own workshop. By 1770 Boudin was regarded as a well-known artisan and received several commissions from his confrères in the guild. In 1772 he opened a shop opposite the Palais Royal beginning to work as a marchand-ébéniste. Boudin's oeuvre is arguably the most prolific of the Transitional period, and his stamp as marchand appears often alongside that of the maker. He collaborated on numerous occasions with Cosson, who executed various breakfront commodes with intricate cube and trellis parquetry, but as marchand also commissioned works from Chevallier, Cordie, Denizot, Evald, Foullet, Gilbert, Macret and Topino. As such he applied his stamp alongside that of the true author, or on pieces that were not stamped. Indeed, he became one of the principal marchands of Paris and had to abandon his own workshop in 1777. It is thus very possible that this commode was only retailed by Boudin rather than made by him.

More from Partridge

View All
View All