Lot Essay
The scene on the current vase is taken from the engraving in Alexandre de Laborde's Description des nouveaux jardins de la France et de ses anciens châteaux of 1808 after paintings by Constant Bourgeois. Saint-Leu is the site for two châteaux situated in the commune of Saint-Leu-la-Forêt on the edge of the forest of Montmorency, north-west of Paris. Both châteaux were confiscated during the Revolution and were subsequently bought in 1804 by Louis Bonaparte who married Hortense de Beauharnais. After a brief reign as King of Holland from 1806 - 1811 he took the title comte de Saint-Leu. It is there that he is buried.
The vase is recorded in the retail shop on 16 September 1814, one of a pair described in the archives as '2 Vases forme Medicis fond bleau riche décor en or cartel de paysage, Vues de Morfontaine et de Saint Leu' (Registre Vv1, folio 24 verso, no. 56) painted by Nicolas Antoine Lebel and Jean-Charles Develly. The pair formed part of a large order for 'La Cour de Rome' which was delivered on 17 September 1819. At this date Napoleon's son, who was given the title of 'King of Rome', was living at Schönbrunn, while Louis Bonaparte, Napoleon's brother and the owner of Saint-Leu was exiled in Rome.
This form was popular throughout the 18th and 19th centuries, this particular adaptation was designed by the multifarious and talented director of the manufactory Alexandre Brongniart in 1806. For a vase of similar form with Egptian views, see M. Brunet and T. Préaud, Sèvres, des origins à nos jours, Fribourg, 1978, p. 288, pl. 340.
The vase is recorded in the retail shop on 16 September 1814, one of a pair described in the archives as '2 Vases forme Medicis fond bleau riche décor en or cartel de paysage, Vues de Morfontaine et de Saint Leu' (Registre Vv1, folio 24 verso, no. 56) painted by Nicolas Antoine Lebel and Jean-Charles Develly. The pair formed part of a large order for 'La Cour de Rome' which was delivered on 17 September 1819. At this date Napoleon's son, who was given the title of 'King of Rome', was living at Schönbrunn, while Louis Bonaparte, Napoleon's brother and the owner of Saint-Leu was exiled in Rome.
This form was popular throughout the 18th and 19th centuries, this particular adaptation was designed by the multifarious and talented director of the manufactory Alexandre Brongniart in 1806. For a vase of similar form with Egptian views, see M. Brunet and T. Préaud, Sèvres, des origins à nos jours, Fribourg, 1978, p. 288, pl. 340.