RICHARD EARLOM, (1743-1822), AFTER CLAUDE GELLÉE, LE LORRAIN (1660-1682)
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RICHARD EARLOM, (1743-1822), AFTER CLAUDE GELLÉE, LE LORRAIN (1660-1682)

FOUR PLATES, FROM LIBER VERITATIS; OR A COLLECTION OF PRINTS, AFTER THE ORIGINAL DESIGNS OF CLAUDE LE LORRAIN, IN THE COLLECTION OF HIS GRACE THE DUKE OF DEVONSHIRE

細節
RICHARD EARLOM, (1743-1822), AFTER CLAUDE GELLÉE, LE LORRAIN (1660-1682)
FOUR PLATES, FROM LIBER VERITATIS; OR A COLLECTION OF PRINTS, AFTER THE ORIGINAL DESIGNS OF CLAUDE LE LORRAIN, IN THE COLLECTION OF HIS GRACE THE DUKE OF DEVONSHIRE
Etchings and mezzotints, printed in warm sepia, 1774-5, on laid paper, fine impressions with scratch letters, the text guidelines still visible, published by J. Boydell and Co., London, 1777 and 1819, each with margins, some pale foxing and soft creasing in the margins, otherwise generally in good condition, framed
P. 205 x 260 mm., S. 290 x 393 mm. (each) (4)
注意事項
This lot is offered without reserve. No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

拍品專文

Earlom's mezzotints after Claude's Liber Veritatis are a landmark in the history of the reproduction of Old Master Drawings. A veritable Catalogue Raisonné, the complete set of three volumes includes over 300 prints and was intended as a guide to the authenticity of Claude's work, forgeries of which were already in circulation during his lifetime.