A GEORGE IV 'ANTIQUARIAN' EBONY, EBONISED AND MARQUETRY PARTNER'S PEDESTAL DESK
This lot is offered without reserve. No VAT will … Read more
A GEORGE IV 'ANTIQUARIAN' EBONY, EBONISED AND MARQUETRY PARTNER'S PEDESTAL DESK

CONSTRUCTED IN THE SECOND QUARTER OF THE 19TH CENTURY RE-USING THE DRAWER FRONTS AND INTERIOR MARQUETRY OF A 17TH CENTURY CABINET

Details
A GEORGE IV 'ANTIQUARIAN' EBONY, EBONISED AND MARQUETRY PARTNER'S PEDESTAL DESK
CONSTRUCTED IN THE SECOND QUARTER OF THE 19TH CENTURY RE-USING THE DRAWER FRONTS AND INTERIOR MARQUETRY OF A 17TH CENTURY CABINET
The gadrooned top with inset leather above three frieze drawers and two pedestals of three drawers each, etched with flowers and on plinth bases, the reverse with two doors
31¼in. (79.5cm.) high; 61in. (155cm.) wide; 30¼in. (76.5cm.) deep
Special notice
This lot is offered without reserve. No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. This lot is subject to storage and collection charges. **For Furniture and Decorative Objects, storage charges commence 7 days from sale. Please contact department for further details.**

Lot Essay

Promoted by the writer Horace Walpole (d. 1797) for its 'Elizabethan' character, such ebony furniture became an important element of the Romantic 18th and early 19th Century antiquarian interior. An ebony settee, reputed to have been presented by Queen Elizabeth I to the Earl of Leicester, formed part of William Beckford's ebony furnishings in his 'Lancaster State Bedroom', that served for Admiral Nelson's celebrated visit to Fonthill Abbey, Wiltshire in 1803, before being acquired for the Elizabethan mansion at Charlecote, Warwickshire in 1832. Ebony bedrooms were also created at Warwick Castle, Warwickshire, and at Montague House, London, while an ebony dining-room was introduced at Longleat, Wiltshire in the early 19th Century. At this period such furniture was particularly associated with antiquarian dealers in Wardour Street, who created new forms of furniture using ancient elements.

This 'antiquarian' pedestal desk was undoubtedly constructed re-using the doors, drawers and interior of a Louis XIV ebony cabinet-on-stand. This type of finely relief-carved ebony panels combined with the rich and stage-like interior in the Flemish manner is typical of the oeuvre of Jean Maci, from Blois. Trained in the Low Countries he has been credited with many similarly decorated cabinets, including the Endymion Cabinet in the Victoria & Albert Museum, London, as well as those cabinets introduced as part of the ebony dining room at Longleat.

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