Jack Butler Yeats, R.H.A. (1871-1957)
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Jack Butler Yeats, R.H.A. (1871-1957)

On the Court House Steps

Details
Jack Butler Yeats, R.H.A. (1871-1957)
On the Court House Steps
signed 'JACK B./YEATS' (lower right) and inscribed 'ON THE COURT HOUSE STEPS' (on the inside of the stretcher bar)
oil on canvas
14 x 18 in. (35.5 x 45.7 cm.)
Painted in 1946.
Provenance
Purchased directly from the artist by Leo Smith, April 1946.
with Dawson Gallery, Dublin.
Literature
H. Pyle, Jack B. Yeats A Catalogue Raisonné of the Oil Paintings II, London, 1992, p. 672, no. 744, illustrated, and III, p. 396, illustrated.
Exhibited
Dublin, Municipal Gallery, Contemporary Irish Art Society: Paintings and Sculpture from Private Collections, July 1965, no. 72.
Dublin, The Arts Council of Ireland, Modern Irish Painting, 1969-71, no. 54: this exhibition travelled to Helsinki; Göteborg; Norköpping; Stockholm; Copenhagen; Bielefeld; Bonn; Saarbrücken; London; Leeds; Glasgow; and Mayo/Donegal.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Pyle comments, 'A tramp seen by the artist reclining on the steps of the court house at Naas, in County Kildare, with children playing nearby' (loc. cit).

On the Court House Steps was painted in 1946 when Yeats was already receiving considerable recognition: in 1945 a National Loan exhibition of his work was shown in Dublin and Thomas McGreevy's monograph was published by Victor Waddington. A year earlier Yeats had shown for the first time at Victor Waddington's gallery in Dublin and he had already shown work jointly with William Nicholson at the National Gallery, London. Yeats had honed his expressionist style, painting masterpieces such as The Whistle of a Jacket (sold in these rooms, 17 May 2001, lot 50).

In the present work, a possibly elderly tramp sits on some steps outside a court houses step, and his slumped, dejected, attitude is in contrast to the brightly dressed children playing gaily on the right hand side of the painting. The inclusion of a cockerel on the court house steps could be an allusion to Biblical story of Peter's denial of Christ.

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