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細節
ED RUSCHA
[A collection of artist's books. Various places: various publishers, 1963-1978.] 16 vols., various formats (95-205mm x 115-255mm). Original printed wrappers, with glassine when called for (some glassine dust-jackets with light wear and a few tears or chips).
FIRST EDITIONS. A FINE SET, comprising: -- Twentysix Gasoline Stations, Alhambra, The Cunningham Press, 1963, ONE OF 400 COPIES ONLY; -- Various Small Fires and Milk, Los Angeles, Anderson, Ritchie and Simon, 1964, ONE OF 400 COPIES ONLY; -- Some Los Angeles Apartments, Los Angeles, Anderson, Ritchie and Simon, 1965, ONE OF 700 COPIES; -- Every Building on the Sunset Strip, Los Angeles, Edward Ruscha, 1966, THE FIRST PRINTING, in the original slipcase; -- Thirtyfour Parking Lots in Los Angeles, Edward Ruscha, 1967; -- Royal Road Test, Los Angeles, Edward Ruscha and Mason Williams, 1967; -- Business Cards, Billy Al Bengston and Edward Ruscha, 1968, SIGNED 'BILLY' AND 'ED', (light wear to yapp edges); -- Nine Swimming Pools and a Broken Glass, Edward Ruscha, 1968, (with 'Wittenborn and Company' stamp on title); -- Crackers, Hollywood, Heavy Industry, 1969 (back panel with short closed tears); -- Babycackes With Weights, Edward Ruscha, 1970; -- Real Estate Opportunities, Edward Ruscha, 1970; -- A Few Palm Trees, Hollywood, Heavy Industry, 1971; -- Records, Los Angeles, Heavy Industry, 1971; -- Coloured People, Edward Ruscha, 1972; -- Edward Ruscha (Ed-werd Rew-Shay) Young Artist, Minneapolis, The Minneapolis Institute of Arts, 1972, WITH TWO BUSINESS CARDS LAID-IN, (front hinge broken, spine lightly faded); -- Hard Light, Los Angeles, Edward Ruscha and Lawrence Weiner, 1978. 101 Books, pp.182-185; The Open Book, pp.198-201. (16)
[A collection of artist's books. Various places: various publishers, 1963-1978.] 16 vols., various formats (95-205mm x 115-255mm). Original printed wrappers, with glassine when called for (some glassine dust-jackets with light wear and a few tears or chips).
FIRST EDITIONS. A FINE SET, comprising: -- Twentysix Gasoline Stations, Alhambra, The Cunningham Press, 1963, ONE OF 400 COPIES ONLY; -- Various Small Fires and Milk, Los Angeles, Anderson, Ritchie and Simon, 1964, ONE OF 400 COPIES ONLY; -- Some Los Angeles Apartments, Los Angeles, Anderson, Ritchie and Simon, 1965, ONE OF 700 COPIES; -- Every Building on the Sunset Strip, Los Angeles, Edward Ruscha, 1966, THE FIRST PRINTING, in the original slipcase; -- Thirtyfour Parking Lots in Los Angeles, Edward Ruscha, 1967; -- Royal Road Test, Los Angeles, Edward Ruscha and Mason Williams, 1967; -- Business Cards, Billy Al Bengston and Edward Ruscha, 1968, SIGNED 'BILLY' AND 'ED', (light wear to yapp edges); -- Nine Swimming Pools and a Broken Glass, Edward Ruscha, 1968, (with 'Wittenborn and Company' stamp on title); -- Crackers, Hollywood, Heavy Industry, 1969 (back panel with short closed tears); -- Babycackes With Weights, Edward Ruscha, 1970; -- Real Estate Opportunities, Edward Ruscha, 1970; -- A Few Palm Trees, Hollywood, Heavy Industry, 1971; -- Records, Los Angeles, Heavy Industry, 1971; -- Coloured People, Edward Ruscha, 1972; -- Edward Ruscha (Ed-werd Rew-Shay) Young Artist, Minneapolis, The Minneapolis Institute of Arts, 1972, WITH TWO BUSINESS CARDS LAID-IN, (front hinge broken, spine lightly faded); -- Hard Light, Los Angeles, Edward Ruscha and Lawrence Weiner, 1978. 101 Books, pp.182-185; The Open Book, pp.198-201. (16)
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