A RENAISSANCE-REVIVAL MARQUETRY INLAID WALNUT CENTER TABLE

ATTRIBUTED TO JOHN JELLIFF AND COMPANY (WORKNG 1836-1890), NEWARK, NEW JERSEY, CIRCA 1880

细节
A RENAISSANCE-REVIVAL MARQUETRY INLAID WALNUT CENTER TABLE
Attributed to John Jelliff and Company (workng 1836-1890), Newark, New Jersey, circa 1880
The molded rectangular top with astragal ends centering an inlaid musical trophy on an ebonized ground and enclosed by acanthus-leaf and floral border punctuated by heron-inlaid circular reserves above a conforming molded and inlaid apron with corbel-shaped pendant drops centering ebonized and inlaid oval reserves over a baluster and suppressed ball pedestal enclosed by four downscrolling supports punctuated by applied rondels, on a shaped quadripartite base with arched and veneered downscrolling legs above squared flaring plinths fitted with castors
30in.high, 49in. wide, 28in. deep

拍品专文

According to family tradition, this table was bought by the present owner's great-grandfather directly from John Jelliff and Company. A smaller table attributed to Jelliff with related marquetry and similar construction methods is in the collection of the Newark Museum (Berry Tracy et. al., 19th-Century America (New York, 1970), cat. 178). John Jelliff (1813-1890) and Company produced furniture in the array of Victorian styles throughout most of the nineteenth century. Furniture made during the company's early years was relatively simple and cost-effective for a locally-based clientele. After the Civil War, however, the company produced more lavish furnishings, competing with the larger New York City firms and appealing to a more sophisticated consumer (Ulysses G. Dietz, "A Major New Piece in the Jelliff Puzzle," Antiques (May 1986), pp. 1096-1099). Made in the company's later years, this table incorporates a finely detailed and elegant marquetry top imported from Europe. Yet this has been geared to a specifically American audience in its inclusion of marsh grasses, cat o'nine tails and shorebirds.