A LOUIS XVI ORMOLU-MOUNTED MONTH-GOING SOLAR STRIKING LONGCASE REGULATOR WITH EQUATION AND FULL CALENDAR
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A LOUIS XVI ORMOLU-MOUNTED MONTH-GOING SOLAR STRIKING LONGCASE REGULATOR WITH EQUATION AND FULL CALENDAR

THE MOVEMENT BY JEAN-ANDRÉ LEPAUTE, THE DIAL BY ETIENNE GOBIN, KNOWN AS DUBUISSON, LATE 18TH CENTURY

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A LOUIS XVI ORMOLU-MOUNTED MONTH-GOING SOLAR STRIKING LONGCASE REGULATOR WITH EQUATION AND FULL CALENDAR
THE MOVEMENT BY JEAN-ANDRÉ LEPAUTE, THE DIAL BY ETIENNE GOBIN, KNOWN AS DUBUISSON, LATE 18TH CENTURY
The case of spreading form with recessed rectangular panels to the plinth applied with leaf and strapwork mounts to the concave moulding, glazed door with a ribbon-tied oak leaf mount above the dial, the entablature to the flat top applied with egg-and-dart mouldings and entrelac leafy strapwork, the 21cm. diameter white enamel Roman and Arabic dial signed 'Lepaute A Paris' and by the dial maker 'Dubuisson' below 30, pierced ormolu arrow-head solar hand with sunburst counter balance, pierced ormolu lyre and crescent-form solar hour hand, counterpoised blued steel mean time minute hand and counterpoised sweep centre seconds, shaped viewing aperture at 6 for the annular enamel calendar ring signed 'Dubuisson', calibrated for regular months and their corresponding dates beneath the corresponding Revolutionary calendar and its corresponding dates, the massive movement with four pillars rivetted to the frontplate and pinned at the back, twice signed the frontplate: 'LEPAUTE HORLOGER DE L'EMPEREUR. A. PARIS.', the backplate; 'Le Paute à Paris. 8. + 1', the weight-driven going train with pin wheel escapement with gilt-brass tapering crutchpiece with fine adjustment to the massive gridiron pendulum with steel-bar knife-edge suspension from the substantial well sculpted backboard bracket, the spring-barrel powered striking train with externally mounted hour and half hour count wheel for the solar strike on a bell above, the equation kidney wheel positioned behind the enamel calendar ring working on a system of epicyclic gearing, the cornice restored and possibly previously with further section above
6ft. 3¾ in. (192 cm.) high
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Jean-André Lepaute, maître horloger in 1759.

Etienne Gobin, known as Dubuisson (d. 1822).

Jean-André Lepaute (1720-1789) was born at Tonne-la-long in the department of the Meuse. His father was a maker of farm implements and had planned to enter the young Jean-André into a monastic order. However, for whatever reason the boy was put with a bronzier at Marton near Carignan and it was there that he made his first rough clock. Obviously talented he was allowed to travel to Paris to do his apprenticeship although it is not known who to.
About 1748, his brother Jean-Baptiste joined him in a family business partnership that carried on for several generations. In 1749 he made a shrewd move and married Nicole-Reine-Etable de la Brière who was born in the Palais du Luxembourg, where her father was attaché to Elizabeth of Orleans, Queen of Spain. Lepaute's wife was one of the most talented women in France being especially celebrated for her knowledge of astronomy. When she was 38 she was made a member of the Academy of sciences of Béziers. Lepaute was made Horloger du Roi and in 1751 made a clock for the King with one wheel only, in 1752 another which gave the hours, minutes and seconds and struck the hours and quarters having but one toothed wheel and two countwheels. Jean-André himself had no offspring but his two nephews took over Maison Lepaute. One, Pierre-Henri, became Horloger du Roi and on retiring his cousin Pierre-Basil took his nephew into the business. In 1811, the firm divided and the name carried on as Lepaute & Fils.
A number of related clocks exist at the Châteaux of Tuileries, St. Cloud, Trianon and Fontainbleau.

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