A REGENCY BRASS-MOUNTED ROSEWOOD TABLE WITH SPECIMEN MARBLE TOP
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A REGENCY BRASS-MOUNTED ROSEWOOD TABLE WITH SPECIMEN MARBLE TOP

ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY

Details
A REGENCY BRASS-MOUNTED ROSEWOOD TABLE WITH SPECIMEN MARBLE TOP
ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY
The rectangular canted top incorporating specimen marbles, the central section surrounded by interlocking triangular sections within a moulded edge, a panelled frieze enclosing a brass-mounted mahogany-lined frieze drawer, the frieze with reeded edge, on squared legs with reeded brass mouldings, joined by spindle-end supports with padded stretcher covered in pale green silk, with splayed feet surmounted by brass oak leaf mouldings, the marbles English
29 in. (73.5 cm.) high; 25¾ in. (65.5 cm.) wide; 17½ in. (44.5 cm.) deep
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This table can be attributed to Gillows on account of its distinctive spindle-end supports. Gillows created the 'spindle end' design in 1818 and adapted it to several different types of furniture. An example of another table showing this feature, stamped by Gillows, is illustrated in G.Wills Craftsmen and Cabinet-makers of Classic English Furniture, Edinburgh, 1974, p. 117, fig. 108.
The cut-cornered tablet of marble with 'Egyptian' sun-rayed mosaics and Ashford black marble originates from Derbyshire. It was possibly created by White Watson (1760-1835), the grandson of the 1st Duke of Devonshire's stone and woodcarver, Samuel Watson. White Watson's speciality was the making of inlaid stone slabs displaying the geological strata and mineral veins of Derbyshire. An example of his work, similar in geometric composition to this lot, is illustrated in N. Barker 'The Devonshire Inheritance: Five Centuries of Collecting at Chatsworth', Virginia, 2003, p.268, fig. 10.

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