A LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK
This lot is offered without reserve.
A LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK

LATE 18TH CENTURY, THE DIAL SIGNED 'J[ULI]EN BELIARD, PARIS'

Details
A LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK
LATE 18TH CENTURY, THE DIAL SIGNED 'J[ULI]EN BELIARD, PARIS'
The white enamel dial with Roman chapters within a rockwork case supported by foliate scrolls and flanked by figures of a putto and young girl with dying doves, on a rounded rectangular plinth with beaded edge mounted with a relief cast with frolicking putti, on toupie feet
15½ in. (39.5 cm.) high, 39½ in. (100 cm.) wide, 10 in. (25.4 in.) deep
Provenance
Arthur Veil-Picard.
Special notice
This lot is offered without reserve.
Further details
This lot will be sold without reserve

Lot Essay

Julien Béliard, maître horloger recorded on the rue Saint-Benôit and rue Pavée in 1777, still active in 1817, or Julien-Antoine Béliard, maître horloger in 1786, recorded on the rue de Hurepoix, 1787-1806.

This model of clock derives its inspriation from a painting by Jean-Baptiste Greuze (1725-1805) Young Girl Mourning her Dead Bird' which in turn was inspired by a poem by Catullus. The dead bird is a symbol of lost innocence. (see E. Niehüser, French Bronze Clocks, 1700-1830: A Study of the Figural Images, Atglen, PA, 1999, p. 27 and for an illustration of a similar clock, p. 6, pl. 2.)

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