Lot Essay
PUBLISHED:
J. D. Beazley, Attic Black-Figure Vase-Painters, Oxford, 1956, p. 692.
For an exceptionally close parallel to the scene with two women in one cloak, with men, youth and a warrior's farewell, see a Nikosthenic pyxis in the Cabinet des médailles, Paris, cf. Corpus Vasorum Antiquorum: Paris, Bibliothèque nationale, 1, p. 34, pl. 46.10-12; and Beazley, op. cit., p. 302.1. Also see, Beazley, op. cit., p. 302.2 for another Nikosthenic pyxis in CVA: Cambridge, Fitzwilliam Museum, 2, p. 53, pl. 1.1A-C with warriors' farewell.
Cf. J. Boardman, Athenian Black Figure Vases, London, 1993, pls 153 and 267 for this type of pyxis, a new shape introduced by Nikosthenes. Also see, K. Schauenburg, "Zwei Amphoren in deutschen Privatbesitz", Archäologischer Anzeiger, 1976, pp. 213-230 for a discussion on the iconography of women sharing a mantle.
J. D. Beazley, Attic Black-Figure Vase-Painters, Oxford, 1956, p. 692.
For an exceptionally close parallel to the scene with two women in one cloak, with men, youth and a warrior's farewell, see a Nikosthenic pyxis in the Cabinet des médailles, Paris, cf. Corpus Vasorum Antiquorum: Paris, Bibliothèque nationale, 1, p. 34, pl. 46.10-12; and Beazley, op. cit., p. 302.1. Also see, Beazley, op. cit., p. 302.2 for another Nikosthenic pyxis in CVA: Cambridge, Fitzwilliam Museum, 2, p. 53, pl. 1.1A-C with warriors' farewell.
Cf. J. Boardman, Athenian Black Figure Vases, London, 1993, pls 153 and 267 for this type of pyxis, a new shape introduced by Nikosthenes. Also see, K. Schauenburg, "Zwei Amphoren in deutschen Privatbesitz", Archäologischer Anzeiger, 1976, pp. 213-230 for a discussion on the iconography of women sharing a mantle.