拍品專文
Sutherland's next assignment from the War Artist's Advisory Committee after the steelworks of Cardiff [see lot 196] was three weeks spent underground in the Cornish tin-mines. It was during this time that he wrote to Sir Kenneth Clark of a subterranean world of 'such beauty and such mystery' that he would never forget it; he found it 'stupendous and thrilling to a degree' (see M. Yorke, The Spirit of Place, Nine Neo-Romantic Artists and their times, London, 1988, p. 126).
In the present work, Sutherland depicts a view down a stope [the working area of the mine]. He was extraordinarily moved by the variety of shapes, colours and textures of the mine, and within Study, Tin-mine: View Down a Stope, Sutherland has carefully orchestrated a variety of media - ink, pencil, chalk and gouache - to suggest the organic textures he found there.
In the present work, Sutherland depicts a view down a stope [the working area of the mine]. He was extraordinarily moved by the variety of shapes, colours and textures of the mine, and within Study, Tin-mine: View Down a Stope, Sutherland has carefully orchestrated a variety of media - ink, pencil, chalk and gouache - to suggest the organic textures he found there.