拍品專文
During the Qianlong period, the worship of Amitayus, the Buddha of Infinite Life became extremely popular, partly due to the Qianlong emperor's self-identification with that deity. A supra-manifestation of Amitabha, Buddha of Infinite Light residing in the Pure Land of the Western Paradise, he was believed to have authority over the after-life and holds an ambrosia vase (kalasa), bearing the water of life.
This depiction as amitayus represents the culmination of the development of Amitabha as the most popular deity in Chinese Buddhism, as Amitabha himself was seen as a Transcendental manifestation of the qualities of the Buddhahood within the historical Buddha, Sakyamuni.
This depiction as amitayus represents the culmination of the development of Amitabha as the most popular deity in Chinese Buddhism, as Amitabha himself was seen as a Transcendental manifestation of the qualities of the Buddhahood within the historical Buddha, Sakyamuni.