拍品專文
Usually vases of this size, shape and pattern bear a Qianlong mark while the current example doesn't have any.
Vases of this pattern are published: one illustrated in Chinese Porcelain, The S. C. Ko Tianminlou Collection, Part II, Hong Kong, 1987, col. pl. 58; one included in the Min Chiu Society Silver Jubilee Exhibition, Anthology of Chinese Art, 1985-86, illustrated in the Catalogue, no. 185 ; an example illustrated by A. du Boulay in Christie's Pictorial History of Chinese Ceramics, London, 1984, p. 202, fig. 1; and another included in the exhibition, Qing Imperial Porcelain, Nanjing Museum and The Chinese University of Hong Kong, 1995, illustrated in the Catalogue, no. 44.
Vases of this pattern are published: one illustrated in Chinese Porcelain, The S. C. Ko Tianminlou Collection, Part II, Hong Kong, 1987, col. pl. 58; one included in the Min Chiu Society Silver Jubilee Exhibition, Anthology of Chinese Art, 1985-86, illustrated in the Catalogue, no. 185 ; an example illustrated by A. du Boulay in Christie's Pictorial History of Chinese Ceramics, London, 1984, p. 202, fig. 1; and another included in the exhibition, Qing Imperial Porcelain, Nanjing Museum and The Chinese University of Hong Kong, 1995, illustrated in the Catalogue, no. 44.