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細節
FOGLIANO, Ludovico (1475-1542). Musica theorica Ludovici Mutinensis docte simul ac dolucide pertractata. Venise: per Io. Antonium & fratres de Sabio, juillet 1529.
In-folio (300 x 202 mm). Maroquin pastiche de Louis Hagué-Coutin relieur belge de la seconde moitié du XIXe siècle, large décor de cercles entrelacés dorés, dos à nerfs, au chiffre de Diane de Poitiers accompagné de sa devise, médaillon central décoré du chiffre "H" et deux "D" affrontés et entrelacés, devise "omnium victorem vici" frappée dans la partie supérieure du premier plat de la reliure, (quelques éraflures, coiffes anciennement restaurées).
ÉDITION ORIGINALE, RARE. Grand théoricien de la Renaissance italienne, Fogliani inventa un système pour adapter celui de Ptolémée au clavier moderne. "Vicentino's defence of Ptolemy and just ratios had an immediate predecessor in Lodovico Fogliano, whose Musica Theoretica of 1529 was the first thoroughly logical justification of imperfect consonances as just ratios. He described a just tuning system which applied Ptolemy's syntonic diatonic tetrachord (though with the intervals in reverse order) to the modern keyboard. Fogliano was not unaware of the price of these pure intervals, and suggested that what one really needs are two keys for D (one to be a 5/3 from F and the other a 3/2 from G) and also Bb. Though split-keys were known at the time, Fogliano admits that they are an impractical option" (Bill Alves, dans Just Intonation network, 5, n°2). Brunet II, 1315.
[Relié à la suite:] --GAFURIUS, Franchinus (1451-1522). Practica musicae. Venise: Augustino Zanni, 28 juillet 1512. Titre dans un bel encadrement gravé sur bois, nombreux schémas et notes dans le texte. Sander 2988. BEL ENSEMBLE DE RARES TRAITÉS DE MUSIQUE DE LA RENAISSANCE, RÉUNIS DANS UNE RELIURE PASTICHE DU GRAND RELIEUR BELGE HAGUÉ.
In-folio (300 x 202 mm). Maroquin pastiche de Louis Hagué-Coutin relieur belge de la seconde moitié du XIX
ÉDITION ORIGINALE, RARE. Grand théoricien de la Renaissance italienne, Fogliani inventa un système pour adapter celui de Ptolémée au clavier moderne. "Vicentino's defence of Ptolemy and just ratios had an immediate predecessor in Lodovico Fogliano, whose Musica Theoretica of 1529 was the first thoroughly logical justification of imperfect consonances as just ratios. He described a just tuning system which applied Ptolemy's syntonic diatonic tetrachord (though with the intervals in reverse order) to the modern keyboard. Fogliano was not unaware of the price of these pure intervals, and suggested that what one really needs are two keys for D (one to be a 5/3 from F and the other a 3/2 from G) and also Bb. Though split-keys were known at the time, Fogliano admits that they are an impractical option" (Bill Alves, dans Just Intonation network, 5, n°2). Brunet II, 1315.
[Relié à la suite:] --GAFURIUS, Franchinus (1451-1522). Practica musicae. Venise: Augustino Zanni, 28 juillet 1512. Titre dans un bel encadrement gravé sur bois, nombreux schémas et notes dans le texte. Sander 2988. BEL ENSEMBLE DE RARES TRAITÉS DE MUSIQUE DE LA RENAISSANCE, RÉUNIS DANS UNE RELIURE PASTICHE DU GRAND RELIEUR BELGE HAGUÉ.
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